‘I’m asked sometimes for advice on building an internet presence, and I usually have to fumble for an answer ± because I haven’t pursued any particular strategy beyond the glaringly obvious: create original, relevant content repeatedly.’

‘What other U.S. group was as good for as long?’

Paul Ford and Mo had twins.

“This is not something I entirely want to do or say. After this year has ended, Coma Cinema will end it’s run as a recording and performing entity.”

“Three American siblings attend an experimental school in Moscow where instruction is only in Russian and classes are videotaped to improve teaching.”

Christa Wittmier reviewing my first Lapwing show at Kaleidoscope back in 2009.

David Goldberg reviews ‘Creative License: The Law and Culture of Digital Sampling’ by Kembrew McLeod and Peter DiCola for the Honolulu Weekly, using pieces of interviews with local musicians — noise artist and netlabel head Dominic Amorin (Uvovu), hip-hop producer TKO, and myself (as Lapwing) — as a lens into the book.

Documentation for Brett Terpstra's TextMate bundle for blogging.

‘She made three interlocking points. First, that the United States is now governed by a “permanent political class,” drawn from both parties, that is increasingly cut off from the concerns of regular people. Second, that these Republicans and Democrats have allied with big business to mutual advantage to create what she called “corporate crony capitalism.” Third, that the real political divide in the United States may no longer be between friends and foes of Big Government, but between friends and foes of vast, remote, unaccountable institutions (both public and private).’

‘…in two years Obama has done more to enact a liberal agenda than George Bush did for the conservative agenda in eight. That's not bad, folks. All things considered, I'd say Obama is the most effective politician of the Obama era. And the Bush era too.’

The essentials of being an effective, successful, and professional designer.

“Simple, lightweight WordPress themes for graphic designers, arists, architects, photographers, agencies, bloggers and other creative professionals.” Priced $30-$100.

I ran a 5K yesterday after not running in several years and somehow finished 43rd with a pace of 7:59. I am in pain right now, but I feel like running again.

Two Portlanders who blog about their experience in Honolulu covered our Clones of the Queen/At Sea show. Very nice!

‘news coverage that treats politics as an insiders’ game invites the public to become “cognoscenti of their own bamboozlement.”’

Apple is run by a hippie and it's the most valuable company in the world. Those who think liberal values are anti-business need to look at that closely.

“It’s a portrait of two black men thinking through the idea of success in America; what happens when your view of yourself as a suppressed, striving underdog has to give way to the admission that you’ve succeeded about as much as it’s worth bothering with; and how much your victory can really relate to (or feel like it’s on behalf of) your onetime peers who haven’t got a shred of what you’ve won. It’s not a topic that deserves to be scrubbed up, either; there are things about Kanye’s tiresome self-involvement and moody debauchery — the way he sounds like some sullen hip-hop emperor, stalking around the crumbling gilded palace of his own psyche, muttering angrily and getting aggressive with the help — that belong in any such portrait.”

“What makes hip-hop such a durable form is its capacity to scramble fiction and fact; the artifice and the realities that art conceals or amplifies become one. In this way, Watch the Throne feels astonishingly different. It captures two artists who no longer need dreams; art cannot possibly prophesy a better future for either of them.”

“What’s worth remembering about Winehouse is not that she had some tortured inner light, or a tragic mien that made her a member of some insipid “27 Forever” club. It’s that she really could be wickedly good at using her brain and her expertise to create music that really worked. There were sad and dangerous things wrapped up in it — fatalism as a cop-out, the romance of failure and sorrow, masochism posing as bravery. But what you tend to take away is good humor, odd clarity, and flashes of actual bravery. At Winehouse’s best, she seemed more than good enough to convey those things without needing a life of tragedy to match.”

More on the link saved directly before this one.

Nitsuh Abebe on a particular review of David Foster Wallace’s ‘A Supposedly Fun Thing I’ll Never Do Again’ on Amazon. “No true human contact is possible without a certain amount of presumption, and these presumptions are precisely what self-consciousness, over time, whittles away at.”

My friend Niko Rivas interviewed me and wrote up this great column on my Lapwing EP.

‘My friends and I have been coddled long enough by a billionaire-friendly Congress. It’s time for our government to get serious about shared sacrifice.’

An animated video about how to sit well at a computer or laptop.

“The facts of the crisis over the debt ceiling aren’t complicated. Republicans have, in effect, taken America hostage, threatening to undermine the economy and disrupt the essential business of government unless they get policy concessions they would never have been able to enact through legislation. And Democrats — who would have been justified in rejecting this extortion altogether — have, in fact, gone a long way toward meeting those Republican demands.”

“My argument: doesn’t someone have to act like this? Like film villains, isn’t it best when those people are over there entertaining us, letting us use them as a dartboard for our own anxieties and antipathies in exchange for our attention and money?”

A great rundown of the charges leveled against Swartz, what they mean, and a thorough examination of the assumptions and preconceptions surrounding this story.

The gamification of Congress, and why it won’t work.

‘At Sea (Honolulu, HI) @ thirtyninehotel, Honolulu, HI. 12th, July 2011.’ ‘Not merely a reunion, but a reinvention, as the band rearranges their instrumentation and song writing style, switching from long-form drone inspired post-rock epics to a more concise semi-pop-structure featuring former cellist (now guitarist/singer), Yvonne Harada on vocals.’

I just helped Anil Dash fix his blog and, in return, he fully funded the writing supplies for this program at the Volcano School of Arts & Science that I selected on DonorsChoose. Go internet!