Tweetage Wasteland: The Web’s Five Most Endangered Words
"Let me think about that." In other words: with a glut of information, we're trying to form opinions and take action on it all just as fast as it's coming in, and we're suffering for it.
Pitchfork Reviews Reviews: altered zones, please, cease and desist
Why Altered Zones, Pitchfork's new MP3 blog collective, is a destructive force toward artists. However: This isn't all Pitchfork's fault. An artist doesn't get on the internet without their own considerable effort. They don't have to react to coverage. Young people are inexperienced and I don't blame us for going for fame as soon as the slightest hint thereof beckons, but there's more to this than the idea that Pitchfork is trying to co-opt all the young rebels.
The New Yorker: The Velluvial Matrix by Atul Gawande
"Atul Gawande gave the commencement speech at Stanford’s School of Medicine last week. Here is what he told the graduating class."
On the need for building interconnected systems of care in medicine, rather than a hodgepodge of specialists not communicating with each other.
An International Monetary Fund veteran explains how the US financial situation is like that of a less-powerful nation's developing economy. Oligarchy, corruption, and the financial sector's control of the government — it's not good.
This piece is incredibly sad. But it is hopeful also. The expansion of pet-based forensic science teams, the increasing intersection of psychological examinations of pet abuse and how it relates to bad home situations, and the use of animals for therapeutic practice are three wonderful things. A must-read.
Balkinization: Copyright: The Elephant in the Middle of Glee
"The fictional high school chorus at the center of Fox’s Glee has a huge problem — nearly a million dollars in potential legal liability. For a show that regularly tackles thorny issues like teen pregnancy and alcohol abuse, it’s surprising that a million dollars worth of lawbreaking would go unmentioned."
This is a very interesting look at the frequency with which this show (that I have never seen) addresses copyright issues without actually addressing copyright issues. And it's dead-on about the potential for a television show or other media of this popularity to effect social change in the realm of copyright perception.
NYTimes.com: Your Brain on Computers — Attached to Technology and Paying a Price
This guy seems to have some family issues that his addiction to incoming data via screens is severely aggravating. I experience, on a smaller scale, some of the problems outlined in this article, and, though none of this is particularly new to me, it's frightening to see these habits taken down the slippery slope.
Should all of us, and especially people like Kord, make a concerted effort to make screens less a part of our lives, lest we lose our humanity? Or is trying to avoid technology's increasing integration with our every second just being traditionally biased and counter-progressive? I think there is a middle ground where one can be hooked in and focused on doing work while still not ignoring ones' children. Food for thought.
Washblog: Four Basic Kinds of Health Care Financing Around the World
The four most common types of healthcare that really work and don't really work and how ours is a jumble of parts of all four and all the proposals are pretty shitty.
This is silly. Taking this pop star's very carefully constructed image and hype seriously isn't very useful, no matter how many times you use the word 'deconstruction' and 'phallus'.
Newsless.org: "The case for context: my opening statement for SXSW"
The always-great Matt Thompson on why episodic news content isn't as helpful as laying a contextual groundwork for a story and then letting readers know about events that happen in that framework.
What's really happening here? BP bit off more than they could chew, and there was a catastrophe that they weren't fully prepared for. That's stupid and irresponsible. But it doesn't seem equally foolhardy or naive, as this article seems to suggest, to assume that technology will solve our problems like cancer and hunger — of course it absolutely *will* solve them eventually. (Or it won't because we won't invent that technology, and we'll destroy ourselves.) There's a difference between hoping your existing technology will be adequate and hoping that people will continue to develop ingenious applications of science to solve problems. Because that's what technology is. The screwdriver is technology, "top-kill" mud seals are technology. Whether the first incarnation of something works isn't a sure thing, but blaming the non-entity "technology" as something we shouldn't trust because it isn't ready sometimes doesn't make any sense whatsoever. Think more on this.
So if people are naturally creative or not, to what degree does 'encouraging' creativity even work? And do we understand this enough to know what aspects of creativity we are encouraging, or rather I should say: do we know how to encourage the 'good' parts of being creative and not make people into schizophrenics/sociopaths?
"Everyone knows that Google is killing the news business. Few people know how hard Google is trying to bring it back to life, or why the company now considers journalism’s survival crucial to its own prospects."