‘One good indicator of this norm’s normalness? The main criticism you hear about this kind of record—even outweighing references to Starbucks and/or the bourgeoisie—is that it is just too dull to even bother producing any more complex indictment of it. These acts, intentionally or not, have won; they’ve taken a lower-sales, lower-budget version of the type of trip Sting once took, from a post-punk upstart to an adult staple.’