Erin McKean: You Don't Have to Be Pretty (A Dress A Day)
I’m not saying that you SHOULDN’T be pretty if you want to. (You don’t owe UN-prettiness to feminism, in other words.) Pretty is pleasant, and fun, and satisfying, and makes people smile, often even at you. But in the hierarchy of importance, pretty stands several rungs down from happy, is way below healthy, and if done as a penance, or an obligation, can be so far away from independent that you may have to squint really hard to see it in the haze.
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I was going to make a handy prettiness decision tree, but pretty much the end of every branch was a bubble that said “tell complainers to go to hell” so it wasn’t much of a tool.
Megan Nolan: Why Do We All Have to Be Beautiful? (NYT)
The message of inclusivity is meant to be helpful, but it can actually do harm.
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Challenging social norms about who can be beautiful is vital work, and of course it is true that representations of beauty in the media are pathetically white, thin, able-bodied and hetero, and of course this should change. But somewhere along the way, the message of inclusivity went from “every kind of person can be beautiful” to “every person is beautiful.”
I’m increasingly convinced that this message isn’t only less radical than we might like to believe, but also actively harmful.
Wouldn’t it be freeing to admit that most people are not beautiful? What if we stopped prioritizing pleasing aesthetics above so much else? I wonder what it would be like to grow up in a world where being beautiful is not seen as a necessity, but instead a nice thing some people are born with and some people aren’t, like a talent for swimming, or playing the piano.
Jia Tolentino: The Age of Instagram Face (New Yorker)
How social media, FaceTune, and plastic surgery created a single, cyborgian look.
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Then the celebrity doctor came in, giving off the intensity of a surgeon and the focus of a glassblower. I said to him, too, that I was just interested in looking better, and wanted to know what an expert would recommend. I showed him one of my filtered Snapchat photos. He glanced at it, nodded, and said, “Let me show you what we could do.” He took a photo of my face on his phone and projected it onto a TV screen on the wall. “I like to use FaceTune,” he said, tapping and dragging.
Within a few seconds, my face was shaped to match the Snapchat photo. He took another picture of me, in profile, and FaceTuned the chin again. I had a heart-shaped face, and visible cheekbones. All of this was achievable, he said, with chin filler, cheek filler, and perhaps an ultrasound procedure that would dissolve the fat in the lower half of my cheeks—or we could use Botox to paralyze and shrink my masseter muscles.
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What did it mean, I wondered, that I have spent so much of my life attempting to perform well in circumstances where an unaltered female face is aberrant? How had I been changed by an era in which ordinary humans receive daily metrics that appear to quantify how our personalities and our physical selves are performing on the market? What was the logical end of this escalating back-and-forth between digital and physical improvement?