Read ‘The Giving Tree’ as usual. When the boy comes hustling for a house, switch to this.

I saw that I had absorbed from my family and my upbringing a specific brand of individualism, valorizing and transmitting it unknowingly. I’d done this throughout my entire life, but especially in How to Do Nothing. Around my favored versions of contemplative solitude, so similar to Emerson’s, a whole suite of circumstances appeared in full relief, like something coming into focus. The women in the kitchen made the mens’ conversation possible, just as my trip to the mountain—and really all of my time spent walking, observing, and courting the “over-soul”—rested upon a long list of privileges, from the specific (owning a car, having the time), to the general (able-bodied, upper-middle-class, half white and half “model minority,” a walkable neighborhood in a desirable city, and more). There was an entire infrastructure around my experience of freedom, and I’d been so busy chasing it that I hadn’t seen it.

An Amazon.com Wishlist by Erica Joy (@ericajoy) with books about black America. Added to GoodReads here: https://www.goodreads.com/review/list/3519627-matthew-mcvickar?shelf=erica-joy-woke-list&view=table

"I’m afraid of what the systematic harnessing of communities will result in." Specifically, he's afraid that it will result in a) fans wasting their time and money and b) the artist being relegated to the sidelines while context and 'engagement' take over. Valid fears if you ask me, and exactly the sort of the thing that Matt LeMay outlines in the MBV post 'Living in the Age of Art vs Content' (http://www.mbvmusic.com/2010/10/19/living-in-the-age-of-art-vs-content/26911).

Basically: It's sometimes amateurish, and there's troubling misogyny, but is that so bad? I say, and I think this is what Kevin is getting at, is that the age-old paradigm of adults worrying about young minds being influenced by media is a bit more complicated -- I think more than a new idea being introduced and etched onto a young mind by 'Twilight', the more likely circumstance is that the ideas therein subtly reinforce existing ideas that the child is already exposed to.

A great profile of the author, who wrote "No Country for Old Men". "At its root, McCarthy's fiction arises from the tragedy of all wild creatures, of whatever is begotten, born, and dies, the tragedy of autonomous life in a world increasingly circumscribed by a rage for order and captivity. More than merely human. It is the tragedy of warm blood itself, of blood and time."