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Anonymous: This Call May Be Monitored (Popula)
Anonymous: This Call May Be Monitored (Popula)
How did a person grow up in a society governed by financial institutions and never get taught how they work? --- Navigating life in this century revolves around our ability to interact with an interlocking series of bureaucracies run according to their own precise rules and delicate timescales. No matter how consumer-focussed these institutions are or deem themselves to be, you will, in the end, have to follow their procedures in order to perform tasks that are essential, unavoidable, or necessary stops in the pursuit of your own happiness. We all know that we often need to look out for our elderly friends, neighbours, and relatives, who learned to navigate a very different maze, and sometimes struggle to keep up with the rules of this one. That’s because it’s hard. It’s a complicated business. And we all know how rubbish a bad interaction with a corporation makes us feel. The recurring term, chosen spontaneously by thousands of callers, is nightmare. […] This inner machinery reveals the billions of ordinary “consumers” who use Facebook to be Romans in their baths: enjoying the futuristic technology of adjustable plumbing and heating, blissfully unaware of the Thracian slave shovelling coal into a boiler just a few feet below. Except, in this case, the facility we are all using and responsible for keeping alive influences elections, convinces people to join the far right, pushes Britain to leave the European Union. […] As stable work has started to disappear, call centre work and other customer service has remained one of the best options for entry-level work. Nearly everyone in my office works there because they needed stable hours and a guaranteed income, and nothing else available to us offered those things. Nearly everyone is under 30. And as impenetrably designed digital services take the place of more and more straightforward face-to-face interactions, more and more things will be contested, and thus explained, assessed, queried, and escalated to a payment expert. Maybe you’re cool with that. Personally, it sounds pretty dystopian to me, considering that those interactions are nearly all immiserating. […] If you must contact a bank or an insurer, do so knowing that it has been made impossible by design for you to talk to anyone with real authority. When you scream down the phone you’ve ruined my life, your system error means I can’t get a mortgage, you will rarely if ever be screaming at anyone who could help you. This design places those with power and responsibility safely away from the impact of their actions, and pits two enormous groups of stressed-out working people against each other. Rather than resolve conflicts in a constructive or efficient way, we are forced to abuse and hate each other as proxies. […] If somebody has to be traumatized in order for Facebook to function as a business, then Facebook doesn’t function as a business. If somebody has to be mistreated and dehumanized for a business to function, then it doesn’t. […] I’m not sure if many know this, but a great many people every day, in this society we live in, destroy their finances on Amazon or ASOS, buying four pairs of $200 trainers on credit when they live on minimum wage and support a family. I can’t say how many, all I can say is that I speak to around five of them a day. Who failed them? How did a person grow up in a society governed by financial institutions and never get taught how they work?
·popula.com·
Anonymous: This Call May Be Monitored (Popula)
Ask A Fuck-up: I’m ashamed of being so broke (The Outline)
Ask A Fuck-up: I’m ashamed of being so broke (The Outline)
Try to remember that your financial and emotional anxiety is a necessary aspect of an economic system that excels at both producing and consuming it: more anxiety means more work for less money... which means more anxiety. It’s a beast that eats its own shit. The fact that you “knew what you were signing up for” by going into a sometimes-noble profession does not make any of this your fault, or in any way diminish your right to feel awful about it. There is no job that grants nobility to economic precarity — struggling does not build character, it serves no one save those who profit from our immiseration.
·theoutline.com·
Ask A Fuck-up: I’m ashamed of being so broke (The Outline)
Paul Ford: Bitcoin Is Ridiculous. Blockchain Is Dangerous. (Bloomberg)
Paul Ford: Bitcoin Is Ridiculous. Blockchain Is Dangerous. (Bloomberg)
The true believers won’t stop until they’ve remade the world. Some of it will be thrilling. Some of it will keep us up at night. [...] What Silicon Valley loves most isn’t the products, or the platforms underneath them, but markets. “Figure out the business model later” was the call of the early commercial internet. The way you monetize vast swaths of humanity is by creating products that people use a lot—perhaps a search engine such as Google or a social network like Facebook. You build big transactional web platforms beneath them that provide amazing things, like search results or news feeds ranked by relevance, and then beneath all that you build marketplaces for advertising—a true moneymaking machine. If you happen to create an honest-to-god marketplace, you can get unbelievably rich.
·bloomberg.com·
Paul Ford: Bitcoin Is Ridiculous. Blockchain Is Dangerous. (Bloomberg)
Eric Harvey: Worn Copies: Beach House, VW, and What It Means to Sell a Feeling (Pitchfork)
Eric Harvey: Worn Copies: Beach House, VW, and What It Means to Sell a Feeling (Pitchfork)
"Much of the power of Beach House's music lies in the way it forgoes simple, this-means-this storytelling in favor of communicating indescribable emotions," wrote Lindsay Zoladz in her Pitchfork review of their latest album, Bloom. Switch a few words around, and this perfect evocation could have emanated from DDB's pitch meeting to Volkswagen. Which is not to belittle Zoladz's criticism, nor to build up ad-speak as any more than means-to-an-end capitalist labor. Instead, this connection highlights the idea that critics and marketers often seek the same positive criteria in art.
·pitchfork.com·
Eric Harvey: Worn Copies: Beach House, VW, and What It Means to Sell a Feeling (Pitchfork)