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Misérable Politics: Why Anne Hathaway Should Go-Away (Tits and Sass)
Misérable Politics: Why Anne Hathaway Should Go-Away (Tits and Sass)
Celebrities seeking to provide “a voice for the voiceless” would do well to remember that sex workers aren’t voiceless, just consistently ignored. There may well be women out there who relate to Fantine, but in reducing the experiences of all sex workers to one tale of tragic misery, Hathaway’s comments silence and dehumanize the same women she seeks to ‘help.’
·titsandsass.com·
Misérable Politics: Why Anne Hathaway Should Go-Away (Tits and Sass)
Bill Simmons: The Career Arc: Eddie Murphy (Grantland)
Bill Simmons: The Career Arc: Eddie Murphy (Grantland)
Why doesn't everyone ever point out that Eddie is the most successful comedian ever, by any calculation … and really, it's not even close? That he's one of the best stand-ups ever? That, before Eddie, only white actors were considered sure things at the box office? That Eddie made more money making kids' movies than anyone ever? Doesn't this seem … I don't know … relevant?
·grantland.com·
Bill Simmons: The Career Arc: Eddie Murphy (Grantland)
Steven Hyden: Adam Sandler's inexorable march toward truth (Grantland)
Steven Hyden: Adam Sandler's inexorable march toward truth (Grantland)
Sandler's truth is that his onscreen persona has aged with his fans and experienced the same things at roughly the same time they've experienced it. Over the course of 20 years, Adam Sandler has gone from being a staple of sleepovers to dorm rooms to lousy apartments to the suburbs. And in that time he's remained, essentially, the same guy: He's "That asshole!," the incorrigible dickwad with a heart of gold, the loudmouth buddy who's progressively less fun to hang out with as you get older, the dude your wife forbids from crashing on the couch for "just a few days, I swear."
·grantland.com·
Steven Hyden: Adam Sandler's inexorable march toward truth (Grantland)
The Atlantic: The Existential Clown
The Atlantic: The Existential Clown
Jim Carrey as a genius, the "representative jester of our time." "Carrey’s dream sequence of movies is a prophecy, a warning that this clanking ego-apparatus in which each of us walks around, this fissured, monumental self, half Job and half Bertie Wooster, cannot be sustained. Out of his own seemingly bottomless disquiet, Carrey writhes and reaches into the bottomless disquiet of his audience."
·theatlantic.com·
The Atlantic: The Existential Clown