On one basic level, what happened in 1969 with Wonder—and what happens every day with mp3 leaks—illuminates a very basic economic fact: Official markets will always lead to unsanctioned ones that feed off of the legit products—and often operate much more efficiently. Consumer desire has never automatically limited itself to strictly legal operations, particularly when fans can convince themselves (often rightly) that they’re doing no harm to the artists.

‘The reaction to Jobs' death-- his full transformation into one of the era's most prominent secular deities-- reveals that we want more than anything to believe in the benevolent, progressive, and humane powers of technology.’

"I’m afraid of what the systematic harnessing of communities will result in." Specifically, he's afraid that it will result in a) fans wasting their time and money and b) the artist being relegated to the sidelines while context and 'engagement' take over. Valid fears if you ask me, and exactly the sort of the thing that Matt LeMay outlines in the MBV post 'Living in the Age of Art vs Content' (http://www.mbvmusic.com/2010/10/19/living-in-the-age-of-art-vs-content/26911).