Why we are turning to darkly funny music during the coronavirus. --- Throughout history, music has been an integral part of how people cope with epidemics. Sometimes, we put them in familiar musical contexts to make them less scary (less “novel,” you could say). While the rest of the world called the 1918 outbreak “the Spanish Flu,” at home in Spain it was often described as “the Naples Soldier” after a song from a popular opera; one of the librettists claimed it was because the tune was just “as catchy” as the disease. […] The themes underpinning many of their songs—passion, intensity, body heat—reminds me that art gets much of its meaning from confronting the ephemerality of existence. We want things deeply and quickly because life is, indeed, short. And musicians know that; they usually only get a few minutes per song. Who better to guide us in how to squeeze as much out of life as possible?

Across the country, social distancing is morphing from a public-health to political act. The consequences could be disastrous. --- Trump, having apparently grown impatient with all the quarantines and lockdowns, began last week to call for a quick return to business as usual. “WE CANNOT LET THE CURE BE WORSE THAN THE PROBLEM ITSELF,” he tweeted, in characteristic caps lock. Speaking to Fox News, he added that he would “love” to see businesses and churches reopened by Easter. Though Trump would later walk them back, the comments set off a familiar sequence—a Democratic backlash, a pile-on in the press, and a rush in MAGA-world to defend the president. As the coronavirus now emerges as another front in the culture war, social distancing has come to be viewed in some quarters as a political act—a way to signal which side you’re on.

Our brains reward us for seeking out what we already know. So why should we reach to listen to something we don’t? --- The act of listening to new music in the midst of a global pandemic is hard, but it’s necessary. The world will keep spinning and culture must move with it, even if we are staid and static in our homes, even if the economy grinds to a halt, even if there are no shows, no release parties, and even artists sink even further into the precarity that defines a career as a musician. The choice to listen to new music prioritizes, if for one listen only, the artist over you. It is an emotional risk to live for a moment in the abyss of someone else’s world, but this invisible exchange powers the vanguard of art, even in times of historic inertia.