It’s fairly easy, and indeed tempting, to write M.I.A. off as a faux-radical who relies on the borrowed aesthetics of revolution to sell records. But that superficial reading belies her truest political work: her commitment to self and the exploration of identity in a world and industry that is more comfortable with easily digestible predetermined narratives, particularly when it comes to racialized people.

Jim Carrey as a genius, the "representative jester of our time." "Carrey’s dream sequence of movies is a prophecy, a warning that this clanking ego-apparatus in which each of us walks around, this fissured, monumental self, half Job and half Bertie Wooster, cannot be sustained. Out of his own seemingly bottomless disquiet, Carrey writhes and reaches into the bottomless disquiet of his audience."