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Jennifer Wilson: The Morbid Comforts of Pandemic Playlists (Pitchfork)
Jennifer Wilson: The Morbid Comforts of Pandemic Playlists (Pitchfork)
Why we are turning to darkly funny music during the coronavirus. --- Throughout history, music has been an integral part of how people cope with epidemics. Sometimes, we put them in familiar musical contexts to make them less scary (less “novel,” you could say). While the rest of the world called the 1918 outbreak “the Spanish Flu,” at home in Spain it was often described as “the Naples Soldier” after a song from a popular opera; one of the librettists claimed it was because the tune was just “as catchy” as the disease. […] The themes underpinning many of their songs—passion, intensity, body heat—reminds me that art gets much of its meaning from confronting the ephemerality of existence. We want things deeply and quickly because life is, indeed, short. And musicians know that; they usually only get a few minutes per song. Who better to guide us in how to squeeze as much out of life as possible?
·pitchfork.com·
Jennifer Wilson: The Morbid Comforts of Pandemic Playlists (Pitchfork)
Sarah Miller: The Diet Industrial Complex Got Me, and It Will Never Let Me Go (NYT)
Sarah Miller: The Diet Industrial Complex Got Me, and It Will Never Let Me Go (NYT)
Every person I talked to was now two people, the one who was nice to me because I was thin, and the person who had been mean to me when I was fat. I was also two people: the fat person who felt like everyone was better than me, and who was so scared to walk across a room, or even stand up, and now, the thin person, who did not know how to manage the exhilaration of suddenly not feeling that way, and of sometimes even feeling superior to people. […] It’s bizarre the way that women’s feelings about their bodies, good and bad, are tied to other women, like, if a woman has a great body, this can feel like a rebuke to everyone who has a regular body. As I watched J. Lo’s Super Bowl halftime show, I thought, this is going to turn into a thing where middle-aged women get upset because they don’t look like that, and they will express this anger in racist and sexist comments about her clothing choices and the precise shape of her body. Poor innocent J. Lo’s body — here it thought its whole purpose was just to move J. Lo’s consciousness through space. I wonder how many women don’t feel so much that they’ve accepted their bodies as much as they need to present as someone who has. Younger women tell me that the way that they hear weight anxiety being expressed is more through the buzzword of “health,” so women say they’re not eating dairy, or bread, or sugar so they won’t be seen as judging themselves, or others. […] I am not saying that no one has accepted her body, that it’s all a lie. I am just saying that I’m pretty sure we haven’t “arrived” anywhere. And why would we have? The material conditions of being a woman have not been altered in any dramatic way, and seem to be getting worse, for everyone. And while there is certainly more of what is called a “celebration” of different shapes, it is rare that those shapes are not proportioned in a fairly universally attractive way.
·nytimes.com·
Sarah Miller: The Diet Industrial Complex Got Me, and It Will Never Let Me Go (NYT)