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Doreen St. Félix: How Alexandra Bell Is Disrupting Racism in Journalism (The New Yorker)
Doreen St. Félix: How Alexandra Bell Is Disrupting Racism in Journalism (The New Yorker)
The series had its clandestine début, in the Brooklyn neighborhood of Bedford-Stuyvesant, on New Year’s Eve in 2016. Bell critiqued the Times’s coverage of the death of Mike Brown, in 2014, in which the paper ran side-by-side profiles of the victim and his killer, Darren Wilson, under the joint headline “Two Lives at a Crossroads in Ferguson.” Bell and many other readers felt that the framing of equivalence, and of tragic coincidence, diminished what had happened that August afternoon. Bell erected a diptych of her own, with Wilson’s profile whittled down to read, simply, “Officer Darren Wilson fatally shot an unarmed black teenager named Michael Brown.” The second panel bore the new headline “A Teenager with Promise,” I noted last year, when I interviewed Bell.
·newyorker.com·
Doreen St. Félix: How Alexandra Bell Is Disrupting Racism in Journalism (The New Yorker)