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Sam Duncan: A veteran and historian responds to Nate Powell’s “About Face” (Popula)
Sam Duncan: A veteran and historian responds to Nate Powell’s “About Face” (Popula)
Powell’s ultimate conclusions regarding the malignancy of a “military style,” appropriated along hyper-masculine, hyper-nationalist, and highly commodified lines in American civil society, are correct. But Powell’s analysis erroneously refers to the same cultural zeitgeist to explain both military conventions, and the civilian appropriation of the “military style.” Treating both as manifestations of the same overarching culture effectively ignores the material concerns that distinguish the military’s appearance and design standards from the “future fascist paramilitary participants” Powell rightly warns us about. [...] There are many service members and veterans, myself included, who are uncomfortable with the various ways that civil society has been militarized, from the entanglements between sports and the military to the weapons of war found in American streets. Their voices are important in our discourse because they carry the weight of credibility. They are difficult to dismiss, especially for those who fetishize the military. Yet, criticisms of the “military style” that mischaracterize the military create a space for people to flippantly dismiss valid criticisms of militarization as just more political posturing, even when those criticisms come from military veterans.
·popula.com·
Sam Duncan: A veteran and historian responds to Nate Powell’s “About Face” (Popula)
Nate Powell: About Face (Popula)
Nate Powell: About Face (Popula)
Death and surrender to power in the clothing of men. [...] All of this—skulls, trucks, flags, guns—form the edges of a commodified, weaponized identity. [...] Those same political and market forces have successfully rebranded the American flag as both consumer product and cultural signifier. Merchandizing and uniformed services have considerably shifted associated symbolism away from a (debatable) neutrality toward a fully masculinized, militarized icon eager to make way for an authoritarian future. The breakdown governing its authorized use asserts that allegiance is above its own laws (and flag code). The incremental push remove color [from the flag] extends far beyond its obvious symbolic value. It’s no stretch to see how emphasis on rigidity and lack of depth helps reframe any spectrum as weakness: vibrancy, nuance, interpretation are signs of vulnerability.
·popula.com·
Nate Powell: About Face (Popula)
Matt Alt: Japan's Cute Army (The New Yorker)
Matt Alt: Japan's Cute Army (The New Yorker)
On a warm November morning last month, I was in the grandstands for the Japanese Eastern Command’s Parade of the Eastern Army. As the seats around me slowly filled before the performance, I noticed a pair of young men in puffy down jackets on the tarmac below. Peering more closely, I could make out the action figure of a female heroine from an anime series between them. One of the young men took a photograph of the toy and, apparently satisfied with his framing of the mini-skirted cartoon girl against the backdrop of military vehicles, returned the figure to his companion’s satchel and then mounted the stands.
·newyorker.com·
Matt Alt: Japan's Cute Army (The New Yorker)