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Quinn Moreland: Something Must Change After Astroworld (Pitchfork)
Quinn Moreland: Something Must Change After Astroworld (Pitchfork)
Scott has long asserted that his shows are a place where fans can let loose and rage through mosh pits, crowd-surfing, stage-diving, and general mayhem. He is far from the only rapper to borrow specific elements from the punk or hardcore underground, but the Astroworld tragedy underscores how important it is that chaos coexist with an ethos of community and accountability. A mosh pit is a collective, physical release of energy and there is the understanding—unspoken or otherwise—that if someone falls, you pick them back up. This is not to suggest that concertgoers at Astroworld did not try to help those who were fighting to stay upright: people crowd-surfed unconscious bodies to safety even while the crush made it extremely difficult for anyone to lift their arms, and at least one attendee testimonial describes pleading with event staff to stop the show. But footage from the festival also suggests a pervasive “every-man-for-himself” mentality, from the fans who pushed others to the ground to get inside, to those who danced atop an ambulance as it inched through the crowd to help people who were literally dying. It can never be said enough: one person’s good time should never come at the expense of another’s safety. These kinds of tragedies should lead to a re-evaluation of safety procedures—and in prominent examples, this has been the case. After the Who concert, Cincinnati banned general-admission concert seating for nearly 25 years. Following Roskilde, Pearl Jam took a six-year break from festivals and returned with strict, hands-on safety policies that included the right to “evaluate all operational and security policies in advance, such as design and configuration of barriers and security response procedures in relation to ensuring our fans’ safety,” as well as the ability to stop a show if needed. Roskilde itself implemented preventative crowd safety measures, including a barrier system that divides the audience into separate pens and more intensive training for security workers. This is the level of oversight we need *before* something horrific happens.
·pitchfork.com·
Quinn Moreland: Something Must Change After Astroworld (Pitchfork)
Quarantunes
Quarantunes
Quarantunes is for... - sustaining the creation of (live) music throughout the COVID-19 pandemic. - providing a platform for artists + fans to connect, despite the cancellation of tours and shows in venues. - creating opportunities for artists to recoup lost earnings from cancelled dates through donations from fans via livestream. - encouraging new experiments in sound and music, using digital technologies and social media interfaces.
·youtube.com·
Quarantunes
Nonstop Honolulu: Party pics: Toro Y Moi
Nonstop Honolulu: Party pics: Toro Y Moi
Photos by Tracy Chan. “The South Carolina-based ‘chillwave’ musician and his band brought their signature brand of funky, groovy, electronic shoegaze jams to a sold-out show at NextDoor Saturday night. Opening were local acts Clones of the Queen and Painted Highways. Although the club was packed and sweaty, people really got into the music, some dancing and some just swaying with eyes closed.”
·nonstophonolulu.com·
Nonstop Honolulu: Party pics: Toro Y Moi
Honolulu Pulse: Pulse Picks: More ideas for the days ahead (April 21, 2011)
Honolulu Pulse: Pulse Picks: More ideas for the days ahead (April 21, 2011)
Friend and ally Gary Chun gives COTQ and the Toro Y Moi show another shoutout in the Honolulu Pulse picks. Too kind. “Arguably the busiest indie rock band in Honolulu, Clones of the Queen had six shows lined up this month, and will be concluding their run this weekend and Thursday. Band member Matthew McVickar (also known as solo act Lapwing) is promoting his first club concert, and he got a great first mainland act in Toro Y Moi, the retro-pop-funk band led by Chaz Bundick. He and the band, along with fellow indie noteworthy band Painted Highways, will open for Bundick and company Saturday night at NextDoor starting at 9. Tickets are $20.”
·honolulupulse.com·
Honolulu Pulse: Pulse Picks: More ideas for the days ahead (April 21, 2011)