People say some bloody silly things about vinyl.

Kanye’s decade-long solo career has been a struggle between the non-stop ideas running through his brain and his skills at verbalizing them through a variety of communication obstacles, whether self-created or forced upon him.

But increasingly, people aren’t sniping about “whiteness” to be funny, or even defiant—at least not entirely. They’re using the term as a form of criticism, meant to be dismissive. “That movie looks very white,” or, “That sounds like music for white people,” is another way of saying, “That can’t be any good.” And I do have a problem with that.

I was pleased to see the measured tone of the White House response to the citizen petition about SOPA and PIPA, and yet I found myself profoundly disturbed by something that seems to me to go to the root of the problem in Washington: the failure to correctly diagnose the problem we are trying to solve, but instead to accept, seemingly uncritically, the claims of various interest groups.

“Both albums are like brainwashing, insular symphonies to a painfully reactive public awareness. The music doesn’t drive outward but, instead, falls inward, bouncing along the various fractured feelings of its singer and his mates. While ‘The National Anthem’ may suggest that ‘everyone is so near/everyone has got the fear’, the reality is that Yorke feels like a misidentified Pied Piper, the ‘rats and kids follow me out of town’ tenets of the Kid A title track pleading his case to be set free. This could be the main reason why the reaction to its release was so incredibly strong. Newness and novelty can help, but there is more to it than a differing direction. Kid A sounds like the start of a surreal psychological dissertation. Amnesiac occasionally comes across as whining.”

Eric Harvey on point as usual: "Access to technology ≠ access to actual creative skill that people want to watch, not which is just dumb enough to drive people to iTunes."

Trent was an Oink user and regrets its disappearance. The Reznor-Williams collaboration, The Inevitable Rise and Liberation of Niggy Tardust!, a mind-boggling fusion of genres," will be released for free on the internet. "Ghetto gothic?"