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Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
‘Woman-beating rage-broccoli Chris Brown lip-synced his single “Turn Up the Music” (without being threatened by Sir Elton John) and danced roughly as well as a third-rate Chicago footwork dancer. He ended his performance by back-flipping off the stage, though sadly not off the earth.’
·newyorker.com·
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
Vulture: Nitsuh Abebe: What’s Really Wrong with the Grammys
Vulture: Nitsuh Abebe: What’s Really Wrong with the Grammys
“The people complaining about the loss of these "non-mainstream" categories aren't really asking for a fair distribution of categories; they're asking for patronage. They're asking for the Recording Academy to act as a booster club and preservation society — to recognize and support these traditions as a special interest. Never mind that this is a kind of support new and fragile musical traditions don't get. Never mind that people in each of these genres are more than capable of recognizing their own achievements, and probably more effectively than the Academy does.”
·nymag.com·
Vulture: Nitsuh Abebe: What’s Really Wrong with the Grammys
Too Much Joy: Budweiser Bought My Baby
Too Much Joy: Budweiser Bought My Baby
Too Much Joy’s Tim Quirk tells the story of his band’s jingle for Budweiser in the early 90s, and how he feels about bands and advertising then and since. A good companion to Matt LeMay’s ‘Art vs Content’ post from late 2010 (http://www.mbvmusic.com/2010/10/19/living-in-the-age-of-art-vs-content).
·toomuchjoy.com·
Too Much Joy: Budweiser Bought My Baby