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Nathan Munn: The Fascists Afterwards (Popula)
Nathan Munn: The Fascists Afterwards (Popula)
Between 1945 and 1955, 1.5 million immigrants of innumerable nationalities came to Canada; historians estimate between 2000 and 5000 of those arrivals were secret Nazis. (This was in addition to the Nazis invited deliberately by Americans and Canadians.) The Canadian government’s tepid attempts to pursue war criminals had ended by 1948, when the Allies decided that efforts should focus on “discouraging future generations” rather than prosecuting escaped Nazis, or in the words of the British Commonwealth Relations Office, “meting out retribution to every guilty individual.” Later attempts to prosecute Nazis hiding in Canada were unsuccessful. So it was that thousands of Nazis, who had been fighting the Allied advance a few years before, found themselves in a prospering Canada, where they could reinvent themselves and start anew—or simply paper over who they had been and what they had done and settle into a new life, some of them full of secrets and hatred swirling like magma below the surface of a burgeoning suburbia.
·popula.com·
Nathan Munn: The Fascists Afterwards (Popula)
Shuja Haider: Eli Valley is Not Sorry (Popula)
Shuja Haider: Eli Valley is Not Sorry (Popula)
ideally she could have phrased things to avoid any unintentional or momentary overlap with the historic vernacular of antisemitism. But what she said doesn’t make her an antisemite. People are making it a big deal because they’re pretending Israel equals Jews, and antisemitism is now defined as criticism of AIPAC and Likud. When talking about fealty to Israel, by, let’s be honest, mostly fucking Evangelicals, okay, the language can unfortunately overlap, or be confused with, this mythology. And if we were operating in good faith—and I’m thinking especially of Democrats here—we could have her back and help her understand these nuances instead of appeasing right-wing creeps with show trials.
·popula.com·
Shuja Haider: Eli Valley is Not Sorry (Popula)
Reggie Ugwu: How Electronic Music Made by Neo-Nazis Soundtracks the Alt-Right (Buzzfeed)
Reggie Ugwu: How Electronic Music Made by Neo-Nazis Soundtracks the Alt-Right (Buzzfeed)
Fashwave is championed on the same forums that gave voice to the so-called alt-right movement that aggressively supported Donald Trump’s presidential campaign, including the Daily Stormer, The Right Stuff, and the National Policy Institute. It’s the intuitive musical expression of that movement’s less self-serious, more sardonic tone, and has roots in the online imageboards, video games, and sci-fi propagated among young, white racists on the outer perimeters of the internet. Just as the alt-right surprised mainstream observers this year by effectively organizing to advance its political vision, it has now set its sights on remaking culture, consolidating around and promoting a music scene it can call its own.
·buzzfeed.com·
Reggie Ugwu: How Electronic Music Made by Neo-Nazis Soundtracks the Alt-Right (Buzzfeed)