I think Andy Ngo’s work is designed to confirm some truly ugly American instincts: that something inherent in Islam makes Muslims unassimilable, that minority groups using their status cynically is as big a problem as discrimination against them, and that a tiny pocket of the American left poses as great a threat to the freedom of Americans as a federal government careening toward permanent minority rule. I think his methods are unsafe, inimical to good journalism, and border on propagandistic. But he’s not a grifter. Calling him a grifter is a way of saying that no one clever and dedicated enough to do what he’s done might actually have the politics he does. That’s a comforting thought for some, I’m sure. I’m not even sure Ngo is a troll, except to the extent that literally the entire conservative media machine, from social media to nighttime news, is a troll on liberals. I think he’s ambitious and savvy, and he wanted to break into a right-wing media world that speaks to an enormous national audience that shares parts of his worldview. And what’s the best way to do that? What is the national story that has given a whole generation of journalists, myself included, across every stratum of media, a platform? The never-ending American culture war, online and offline, that sometimes breaks out into violence. There’s not a lot of news in what Ngo does. It’s not man bites dog that antifa is violent or that some hate crimes are made up or that college students say dumb things. But there is a demand, a big one, to showcase leftists and minorities as villains. How many freelance videographers nursing well whiskeys in the dive bars of Brooklyn would trade a few punches from a Proud Boy for a job at Vice? The media is shrinking, and to squeeze oneself in needs a leg up: a connection, an uncommon aptitude, or the willingness to do things other people simply aren’t.