The trailer has always held a special place in the American imagination. Once a symbol of freedom and mobility, it became — through waves of economic hardship and discrimination over the course of the 20th century — a testament to the limitations of the so-called land of opportunity. Stated another way, trailers became the province of the have-nots, and along the way, the pernicious myth of “trailer park trash” became core to a set of stereotypes about lower-class white people. [...] With almost no cultural images of dignified life on the inside of a trailer, or in the often close-knit neighborhoods that trailer parks become, Americans cling instead to the simple, outmoded ideas about trailers and their inhabitants that they’ve held for nearly a century.

Kanye West’s obsession with the fashion industry is an important one and his comments must play out on a world stage. While seemingly humorous, in fact, they highlight the very real barriers between what is and is not considered fashion.

this isnt just about Kimmel and Kanye it's about who gets to be a creative genius in America and who we'd rather see as a clown

It’s difficult to watch these videos and not sense that their popularity has something to do with a persistent, if unconscious, desire to see black people perform. Even before the genuinely heroic Ramsey came along, some viewers had expressed concern that the laughter directed at people like Sweet Brown plays into the most basic stereotyping of blacks as simple-minded ramblers living in the “ghetto,” socially out of step with the rest of educated America. Black or white, seeing Clark and Dodson merely as funny instances of random poor people talking nonsense is disrespectful at best. And shushing away the question of race seems like wishful thinking.

Nitsuh Abebe on exactly why people need to stop talking about how "white" Vampire Weekend are.