Don’t you hate when editors use “I don’t know enough writers of color” as an excuse to back up the homogeneity of their publications? We do too. Here’s a fix, brought to you by Durga Chew-Bose, Jazmine Hughes, Vijith Assar, and Buster Bylander. Need someone to cover politics? Here you go. A correspondent in Chicago? We’ve got you covered. We aim to create more visibility for writers of color, ease their access to publications, and build a platform that is both easy for editors to use and accurately represents the writers. The response so far has been overwhelming (thank you!) and we welcome further feedback from both camps, but please realize that this site is run by volunteers and is a work in progress. We still need help fixing mistakes and keeping things running smoothly.

Kanye’s decade-long solo career has been a struggle between the non-stop ideas running through his brain and his skills at verbalizing them through a variety of communication obstacles, whether self-created or forced upon him.

But increasingly, people aren’t sniping about “whiteness” to be funny, or even defiant—at least not entirely. They’re using the term as a form of criticism, meant to be dismissive. “That movie looks very white,” or, “That sounds like music for white people,” is another way of saying, “That can’t be any good.” And I do have a problem with that.