H.P. Lovecraft was one of the most influential writers of the 20th century. He was also one of its most racist. --- Still, there’s an extent to which all of this discussion has been taking place within Lovecraft’s niche community of genre writers — still well below the mainstream radar, away from the broader influence of his work. (As late as 2014, it was possible to read Lovecraft explainers in media outlets that made no mention of his racism.) That might finally be changing with HBO’s Lovecraft Country now spotlighting the conversation around the author’s racist legacy — but it also inevitably yields frustration because Lovecraftian imagery and themes are so embedded within the pop culture landscape. […] [Victor LaValle] also stressed capitalizing on Lovecraft’s love of fanfiction of his own stories to overwrite that legacy into newer, more progressive visions of horror. For instance, his award-winning Lovecraftian horror novel The Ballad of Black Tom largely revolves around the underlying premise that much of Lovecraft’s horror is predicated on ridiculous white privilege. That horrific realization that all Lovecraft’s characters undergo that the universe doesn’t revolve around them? That’s not a problem any Black character would ever have.

The tortoise dies. The tortoise dies because you were too busy blaming him for his situation instead of helping him.