Her novels imagine other worlds, but her theory of fiction can help us better live in this one. --- Le Guin’s carrier bag is, in addition to a story about early humans, a method for storytelling itself, meaning it’s also a method of history. But unlike the spear (which follows a linear trajectory towards its target), and unlike the kind of linear way we’ve come to think of time and history in the West, the carrier bag is a big jumbled mess of stuff. One thing is entangled with another, and with another. […] As well as its meandering narrative, a carrier bag story also contains no heroes. There are, instead, many different protagonists with equal importance to the plot. This is a very difficult way to tell a story, fictional or otherwise. While, in reality, most meaningful social change is the result of collective action, we aren’t very good at recounting such a diffusely distributed account. The meetings, the fundraising, the careful and drawn-out negotiations — they’re so boring! Who wants to watch a movie about a four-hour meeting between community stakeholders? […] We will not “beat” climate change, nor is “nature” our adversary. If the planet could be considered a container for all life, in which everything — plants, animals, humans — are all held together, then to attempt domination becomes a self-defeating act. By letting ourselves “become part of the killer story,” writes Le Guin, “we may get finished along with it.” All of which is to say: we have to abandon the old story. […] We are still learning how to tell stories about climate change. It is fundamentally a more-than-human problem, one that simultaneously affects all communities of people, animals, plants — albeit asymmetrically. The kind of story we need right now is unheroic, incorporating social movements, political imagination and nonhuman actors. In this story, time doesn’t progress in an easily digestible straight line, with a beginning, middle and end. Instead there are many timelines, each darting around, bringing actions of the past and future into the present. It collapses nature as a category, recognizing that we’re already a part of it. In a climate change story, nobody will win, but if we learn to tell it differently more of us can survive.