Unless the stars are aligned for your band, no.

The Comedy may be a challenging film, but it's one of the few character studies that has a clear focus and entertaining hook that will keep you invested. Heidecker was the perfect actor for this project. When he looks past his surroundings, you believe him. Sometimes making a joke is all you can do in a bad situation. For Swanson, life in its entirety is a bad situation.

The always-great Matt Thompson on why episodic news content isn't as helpful as laying a contextual groundwork for a story and then letting readers know about events that happen in that framework.

Worth consideration. "SXSW is an extraordinary and well-run event. I simply wish that it would give something back to the artists who have made its existence possible." On the other hand, shouldn't artists have to fight tooth-and-nail for attention and acclaim among thousands of others, be poor and go back to the drawing board sometimes? Getting to the point where one can play at SXSW is a feat in itself; shouldn't it be enough of a reward? But then, shouldn't SXSW help these bands as much as it can, as much as it claims to want to?

"If I was in a band I would write a slow song with an 808, reverb, and a female vocalist, and call that song 'Zach Braff’s Eyes Reflected in My Nano.'"