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Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
‘Woman-beating rage-broccoli Chris Brown lip-synced his single “Turn Up the Music” (without being threatened by Sir Elton John) and danced roughly as well as a third-rate Chicago footwork dancer. He ended his performance by back-flipping off the stage, though sadly not off the earth.’
·newyorker.com·
Sasha Frere-Jones: The Grammy Awards: Chris Brown Overload (The New Yorker)
Too Much Joy: Budweiser Bought My Baby
Too Much Joy: Budweiser Bought My Baby
Too Much Joy’s Tim Quirk tells the story of his band’s jingle for Budweiser in the early 90s, and how he feels about bands and advertising then and since. A good companion to Matt LeMay’s ‘Art vs Content’ post from late 2010 (http://www.mbvmusic.com/2010/10/19/living-in-the-age-of-art-vs-content).
·toomuchjoy.com·
Too Much Joy: Budweiser Bought My Baby
Balkinization: Copyright: The Elephant in the Middle of Glee
Balkinization: Copyright: The Elephant in the Middle of Glee
"The fictional high school chorus at the center of Fox’s Glee has a huge problem — nearly a million dollars in potential legal liability. For a show that regularly tackles thorny issues like teen pregnancy and alcohol abuse, it’s surprising that a million dollars worth of lawbreaking would go unmentioned." This is a very interesting look at the frequency with which this show (that I have never seen) addresses copyright issues without actually addressing copyright issues. And it's dead-on about the potential for a television show or other media of this popularity to effect social change in the realm of copyright perception.
·balkin.blogspot.com·
Balkinization: Copyright: The Elephant in the Middle of Glee