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Alexis C. Madrigal: How the Gorgeous, Sometimes Fictional Sound of the Olympics Gets Made (The Atlantic)
Alexis C. Madrigal: How the Gorgeous, Sometimes Fictional Sound of the Olympics Gets Made (The Atlantic)
The audio from your favorite events isn't real. It's much better than real. --- Just to walk through the logic: based on the sound of arrows in a fictional Kevin Costner movie, Baxter created the sonic experience of sitting between the archer and the target, something no live spectator could do. […] "That afternoon we went out on a canoe with a couple of rowers recorded stereo samples of the different type of effects that would be somewhat typical of an event," Baxter recalls. "And then we loaded those recordings into a sampler and played them back to cover the shots of the boats." The real sound, of course, would have included engine noises and a helicopter whirring overhead. The fake sound seemed normal, just oars sliding into water. In a sense, the real sound was as much of a human creation as the fake sound, and probably a lot less pleasant to listen to.
·theatlantic.com·
Alexis C. Madrigal: How the Gorgeous, Sometimes Fictional Sound of the Olympics Gets Made (The Atlantic)