So, I’ve got a great idea: What might be a better, more accurate, advertisement would be to run a photograph of my favorite public toilet in The New York Times, and alongside it, there can be a commitment by Portland leaders to ensure this is a place where we will not retch at the sight of poverty, where we hold police accountable, where we will not sweep away our most vulnerable people until everyone here has a place to live. What would actually be creative — groundbreaking, even — would be for Portland to see poor people as neighbors, not adversaries. Actual living, breathing humans just like themselves, whose circumstances — not moral failures — led to their situation. Portland needs to make sure everyone has a seat at our table first before we invite the world over to eat.

Combining hundreds of landmark snapshots into one ghostly, layered photo. “Series of photographic works entitled ‘Photo Opportunities’, from hundreds of snapshots of tourist locations found on the Internet. By collecting and then bringing together successive layers of around a hundred similar ‘photo souvenirs’, these images conjure up questions about representation and memory of places.”

“The data used to calculate when museums are quiet is gathered from foursquare. Foursquare is designed to show popular trending places or where your friends are. I instead used it for antisocial purposes. A small cron job checks the /herenow endpoint in the foursquare api a few times an hour. The number of people present is logged for each venue that is tracked. Once a week these checkins are aggregated and passed to the frontend web application hosted on Heroku. The graphs are generated in SVG using Raphael in the browser.”