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Vajra Chandrasekera: ‘Binti’ by Nnedi Okorafor (Strange Horizons)
Vajra Chandrasekera: ‘Binti’ by Nnedi Okorafor (Strange Horizons)
A brilliant piece of literary criticism for a novelette I loved and am looking forward to the next installment of. As a metaphor for acculturation into empire, this works almost too well. You can walk in the halls of empire, yes, as long as you're willing to accept invasive alien tentacles into your mind, to put alien needs above your own, to allow yourself to be instrumentalized.
·strangehorizons.com·
Vajra Chandrasekera: ‘Binti’ by Nnedi Okorafor (Strange Horizons)
Brandon Soderberg: Is 'Yeezus' the Tipping Point for Rap Misogyny? (SPIN)
Brandon Soderberg: Is 'Yeezus' the Tipping Point for Rap Misogyny? (SPIN)
Rap music clearly has a serious misogyny problem. Admitting that won't lead to the elimination of the music altogether and it doesn't mean that all other social issues have to take a backseat. But once the problem has been acknowledged, let's don't just leave the self-evident truth sitting there. Actually continue to think about this stuff. Too often, rap's misogyny has been treated as a given. And that's just as dangerous.
·spin.com·
Brandon Soderberg: Is 'Yeezus' the Tipping Point for Rap Misogyny? (SPIN)
Steven Hyden: Afterword: Roger Ebert (Pitchfork)
Steven Hyden: Afterword: Roger Ebert (Pitchfork)
But as much as he was teaching me about movies, Roger Ebert was also showing me how to write-- I became a student of clean and concise sentences that emphasized clarity and the right balance of humor, thoughtfulness, and accessibility, as well as how to shape my raw impressions into well-rounded opinions that cohered on the page into narratives. The idea that the most interesting part of a movie happens after you see it-- during the post-mortems you have with others and with yourself in your own head-- was something that carried over easily to the songs and albums I was discovering at the time.
·pitchfork.com·
Steven Hyden: Afterword: Roger Ebert (Pitchfork)
Jason Zinomas: Just Like Candy: Following the Trail of Good Ideas (Howlround)
Jason Zinomas: Just Like Candy: Following the Trail of Good Ideas (Howlround)
What endures more, for me at least, is the pleasure of thinking about a work of art, arguing with myself over it, getting frustrated while going nowhere and then coming out of that mess with a slightly clearer sense of what I believe. Or maybe it’s a better context to put the work in. Or it could be as minor as solving the problem of striking the right tone to end a review in a way that captures exactly what I think with a bit of flair. The privilege of calling that your job is, to steal a phrase from Hamlet, devoutly to be wished.
·howlround.com·
Jason Zinomas: Just Like Candy: Following the Trail of Good Ideas (Howlround)
Chris Ott: The Sheep Take a Buffalo Stance (New York Times)
Chris Ott: The Sheep Take a Buffalo Stance (New York Times)
Everyone's relationship to music has changed because of the Internet, and in a way that invalidates year-in-review summaries: We rank and file music all year long on our blogs and web magazines, in the list-drenched advertorial press, and even on our iPods. If everyone's a critic, do we still need a critics' poll?
·villagevoice.com·
Chris Ott: The Sheep Take a Buffalo Stance (New York Times)
Daniel Mendelsohn: A Critic's Manifesto: The Intersection of Expertise and Taste (The New Yorker)
Daniel Mendelsohn: A Critic's Manifesto: The Intersection of Expertise and Taste (The New Yorker)
what has made us all anxious about truth and accuracy in personal narrative is not so much the published memoirs that turn out to be false or exaggerated, which has often been the case, historically, but rather the unprecedented explosion of personal writing (and inaccuracy and falsehood) online, in Web sites and blogs and anonymous commentary—forums where there are no editors and fact-checkers and publishers to point an accusing finger at.
·newyorker.com·
Daniel Mendelsohn: A Critic's Manifesto: The Intersection of Expertise and Taste (The New Yorker)
Armond White: The Sandler Memo (City Arts)
Armond White: The Sandler Memo (City Arts)
It’s scary how the Memo makes Sandler and Murphy whipping boys, simply to sustain true Hollywood vulgarity. It perpetuates the collapse of critical thinking. When Sandler-bashing (and I don’t just mean the ludicrous Razzies, ratified only by tabloid media) turns into excoriation, it is necessary to examine the media’s cowardice and prejudices. The Sandler Memo has reduced criticism to a profession of chain letters.
·cityarts.info·
Armond White: The Sandler Memo (City Arts)
Teenage Art: Henry Rollins Wants to Do Comedy on 'The Paul Reiser Show'
Teenage Art: Henry Rollins Wants to Do Comedy on 'The Paul Reiser Show'
“Criticism is only useful when it helps us see something we are having difficulty seeing on our own; it’s not helpful when it tells us to stop looking. ‘But what if everyone pays attention to the wrong things? We have to guide them to the right things!’ Well, eventually everyone stops paying attention to everything: time is pretty effective that way. With that in mind, we should only worry about pointing the good out, and not worrying about the bad. And in the age of the Internet, this dictum takes on added force. Think of it as the Paris Hilton effect: talking about the bad just encourages the bad. No one has ever cured a celebrity of anorexia by posting photographs of her on the Internet, or has helped Charlie Sheen get off alcohol by getting exasperated at his stupidity. Trashing bad people and bad art does not make you a good person.”
·teenageart.tumblr.com·
Teenage Art: Henry Rollins Wants to Do Comedy on 'The Paul Reiser Show'
a grammer: internet paradox
a grammer: internet paradox
Thoughts on the tendency of the internet to empower and break down niches. “You can be a niche, but you’re a public niche, so you can’t expect to be left alone about it, or understood on your own terms. The internet makes niches possible, but it’s also a massive space in which loads of different people communicate — and spaces like that tend to pull everyone toward the middle, developing conventions and enforcing a cultural center. So far, this hasn’t stopped plenty of corners of the internet from getting extremely insular and specialized, but it’s still a form of cultural policing on this front.”
·agrammar.tumblr.com·
a grammer: internet paradox
Fuse.tv: Listen Closely by B Michael Payne: Love the Music, Ignore the Message: How Critics Are Failing Odd Future
Fuse.tv: Listen Closely by B Michael Payne: Love the Music, Ignore the Message: How Critics Are Failing Odd Future
"Overall, there seems to be a critical disconnect between the way the predominantly white, male critical establishment writes about violence and misogyny—especially as it’s primarily exhibited in hip-hop, i.e., music made predominantly by black artists. Critics such as these seem uncommonly drawn to violent, misogynistic music simply because it is shocking. This thrill of novelty seems to be nothing more than a fetishization of an alien culture."
·fuse.tv·
Fuse.tv: Listen Closely by B Michael Payne: Love the Music, Ignore the Message: How Critics Are Failing Odd Future
Squashed: Truth and Patriotism
Squashed: Truth and Patriotism
"If somebody you care about is bleeding profusely, it’s not loving to insist that she’s flawless and has nothing to worry about. The loving thing is to stop the bleeding then get her to a doctor. If a guy is clearly suffering from blood poisoning, ignoring the problem isn’t loving. Instead, say, 'Dude. You need to get that looked at immediately.' Or, better yet, go with him. Do what you can to make things better."
·squashed.tumblr.com·
Squashed: Truth and Patriotism
Riff Market: Regarding Hipster Runoff's Animal Collective Post
Riff Market: Regarding Hipster Runoff's Animal Collective Post
"You can try to know, and own the fact that there are things you do not know, or you can be knowing, and hide your own ignorance with sideways shots of been-there done-that familiarity. You can understand that shit happens and try your best to keep things together and accomplish something against all odds — YOU CAN DANCE, as this album begins — or you can blow up the hospital just to show everyone that at any moment anywhere, a hospital can blow up for no fucking reason whatsoever."
·riffmarket.com·
Riff Market: Regarding Hipster Runoff's Animal Collective Post
The Atlantic: The Existential Clown
The Atlantic: The Existential Clown
Jim Carrey as a genius, the "representative jester of our time." "Carrey’s dream sequence of movies is a prophecy, a warning that this clanking ego-apparatus in which each of us walks around, this fissured, monumental self, half Job and half Bertie Wooster, cannot be sustained. Out of his own seemingly bottomless disquiet, Carrey writhes and reaches into the bottomless disquiet of his audience."
·theatlantic.com·
The Atlantic: The Existential Clown