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Nathan Munn: The Fascists Afterwards (Popula)
Nathan Munn: The Fascists Afterwards (Popula)
Between 1945 and 1955, 1.5 million immigrants of innumerable nationalities came to Canada; historians estimate between 2000 and 5000 of those arrivals were secret Nazis. (This was in addition to the Nazis invited deliberately by Americans and Canadians.) The Canadian government’s tepid attempts to pursue war criminals had ended by 1948, when the Allies decided that efforts should focus on “discouraging future generations” rather than prosecuting escaped Nazis, or in the words of the British Commonwealth Relations Office, “meting out retribution to every guilty individual.” Later attempts to prosecute Nazis hiding in Canada were unsuccessful. So it was that thousands of Nazis, who had been fighting the Allied advance a few years before, found themselves in a prospering Canada, where they could reinvent themselves and start anew—or simply paper over who they had been and what they had done and settle into a new life, some of them full of secrets and hatred swirling like magma below the surface of a burgeoning suburbia.
·popula.com·
Nathan Munn: The Fascists Afterwards (Popula)
The "Irena Sendler vs Al Gore" chain letter
The "Irena Sendler vs Al Gore" chain letter
Irena Sendler was without doubt a very courageous woman who repeatedly risked her own life to save hundreds of Jewish children from the Warsaw ghetto during the German occupation of Poland in World War 2 - and there is certainly nothing wrong with commemorating her heroism. However, what should immediately be obvious about this particular "tribute" is that it contains a lot of information about Sendler that is completely wrong. It also turns into an agenda-driven attack on Al Gore and Barack Obama, as well as questioning the credibility of the Nobel Peace Prize (early versions of the chain letter only mentioned Gore, but Obama was thrown into the mix after he became US President).
·flickr.com·
The "Irena Sendler vs Al Gore" chain letter
The ASC: John Bailey's Bailiwick: Spomenik—Jan Kempenaers and “The End of History”
The ASC: John Bailey's Bailiwick: Spomenik—Jan Kempenaers and “The End of History”
Beautiful, haunting, gigantic sculptures. “There are hundreds of them scattered throughout villages and rural landscapes in the former Yugoslavia. Once the site of pilgrimages by schoolchildren, military veterans, patriots, and mourners who had lost family in WWII, these Spomeniks (monuments) are today rarely visited. Often built out of concrete in a style dubbed Brutalism, these secular totems were meant to endure, impervious to the mere march of time—a testament and continuous witness to the new unity of the historically fractious Balkan states—the unity of all the Slavs, YUGOSLAVIA.”
·ascmag.com·
The ASC: John Bailey's Bailiwick: Spomenik—Jan Kempenaers and “The End of History”