…the notion of indie exceptionalism (and its white, urban, and upper-class trappings) was repeatedly questioned this year, almost always by the very people who benefit from it. Indie-ness in 2012's pop culture has been depicted as an outmoded cliché, an indulgence for the rich and deluded, a jokey lyrical reference, a house of cards, and/or a pile of cool clothes for pop stars and corporations to try on and discard.

“And if you want to talk about pop music between 1980 and now, that issue—the question of who’s singing and who’s being sung to—is an important one. The study assumes that hit singles in the eighties and hit singles in the new millennium play the same role in our culture. But over the past 30 years, the weekly charts have seen changes a lot more significant than any surge of ego. It’s not just that pop’s audience has changed; it’s that its whole purpose has.”

"People don't hate hipsters, and hipsters don't hate themselves. What people hate so much is the faux-hipsters: they hate poseurs. And because it's such an irritating thing to be having to tell the real from the fake (exactly as in the matter of overpriced European handbags), the easiest way out is simply to deny any involvement in the whole business. That is why nobody, not even someone who fervently embraces hipster culture, wants to call himself a hipster."

They're are distraught and stuck in a pre-maturity funk.

The ones in the comments are better than the ones in the article. Laughed until I cr*ed y'all!