Angus Finlayson: Inauthentic Scenarios: Oneohtrix Point Never On His Henri Rousseau Record (The Quietus)
“In other words, I'm not inspired by the Serengeti, I'm inspired by world music depictions of African expanses, and the sort of false authenticity of those depictions. As if Peter Gabriel has a handle on what the fuck is going on with FGM in Sudan. It's ludicrous. On a track like 'Preyouandi', I'm attempting at least to make sense of my relationship to those sorts of musical practices, while retaining some of their melodic and aesthetic ideas that I'm so clearly drawn to.”
Boing Boing: Interview with a pepper-sprayed UC Davis student
22-year-old UC Davis student W. (name withheld by request) was one of the students pepper-sprayed at point-blank range Friday by Lt. John Pike while seated on the ground, arms linked and silent. W.…
The outspoken Deerhunter frontman and reluctant indie idol talks to Larry Fitzmaurice about radical honesty, his thorny relationship with chillwave, self-loathing, and his excellent new Atlas Sound album, Parallax.
The elusive singer/songwriter attempts to talk about his own mysteriousness without giving any of it up and offers insights on death, comedy, and his pair of 2011 albums, WIT'S END and Humor Risk.
The Morning News: This Is Not a George Plimpton Interview
‘Every artist deals with critics differently—Richard Ford spitting on Colson Whitehead, for example. But the rule is to avoid direct contact. Not for John Warner, debut novelist, who decided to seek out the man behind his worst review.’
“And playing live is a different process to DJing, which is more about getting on a train, arriving, meeting some guy you don't really know and going to a place you don't really know. Actually playing is the best bit because you get to connect with people for the first time in 24 hours. Parts of it are really good, but it's just a lot of time on your own. You can reflect. I write lyrics in those moments when I haven't got anything else to do. Those are probably just the moments when I start being a bit, you know, sad [he smiles].”
Honolulu Pulse: Scene+Heard: Getting to know Matt McVickar
My new friend-through-friends and fellow musician Sabrina interviewed me for her blog on Honolulu Pulse, the Star Advertiser's online nightlife section.
“…here’s a Q&A with Matthew, who was kind enough to agree to an e-mail interview the day after the HTML5 logo was unveiled. He was quick to point out that it was a team effort, and that Ocupop Creative Director Michael Nieling headed the project and designed the logo itself.”
waycooljnr: How to Get Your Music Reviewed on Pitchfork: An Interview with Scott Plagenhoef, Pitchfork’s Editor-in-Chief
“What do you recommend is the best process for getting my music reviewed on Pitchfork?
“The easiest way to contact us to email and mail something to me directly, not just to the office. I would also read some reviews, find out which writers might like what you’re doing, and try to contact them directly. Targeting people who seem open to your music is an easy way to help it along. If you do send CDs, I would expect that a one-sheet, while it could be read, is more likely going to be discarded, so if you send a promo CD you should make sure any information that anyone might want– your website, short bio if needed, contact info for booking or PR if you have it, is on the back of the CD case itself.”
A good interview, and explains Obama's long-game strategy explicitly. His indignation at progressives and Democrats complaining about the state of things when much has actually been accomplished is reasonable, but his final statement bothers me.
"We have to get folks off the sidelines. People need to shake off this lethargy, people need to buck up. Bringing about change is hard — that's what I said during the campaign. It has been hard, and we've got some lumps to show for it. But if people now want to take their ball and go home, that tells me folks weren't serious in the first place." OK, but what does that mean? What's going to make a difference with ten-to-one odds and enormous corporations and special-interest groups lined up on the other side? Your base gave you a lot of money to help you get elected, but is that what you're asking them to do again, deep in a recession? They need direction, advice, some instruction or insight. What exactly do you want us to 'try harder' at?
The Guardian: Insane Clown Posse: And God created controversy
"'I stuck her with my wang. She hit me in the balls. I grabbed her by her neck. And I bounced her off the walls. She said it was an accident and then apologised. But I still took my elbow and blackened both her eyes.' That's clearly a song about domestic violence. So your Christian message is... don't be like that man?" "Huh?" Violent J repeats, mystified.
"I would prefer to go to a different world and the closest we have to that besides space travel is an inner world. It's not so much that I really love the act of sleep, but that I love that escape from reality, the potential for the impossible, removing myself from the stress of today’s culture world, from people talking all the time, etc."
The Boston Globe: On the search for sounds: Nick Zammuto and Paul de Jong of the Books turn anything and everything into music
A standard report on the duo, but finally some news! "They're halfway done with a new album, which might be released this year, but they're not rushing it."
Body Modification Ezine: One Hand Jason: BIID Interview
Interview with a man afflicted with Body Integrity Identity Disorder who took care of the problem by staging an accident and amputating his right hand.
Kieran explains the importance of ideas, process, computers, and the mastering of technology that works when it comes to creating music. Loaded with great technical and system setup details.
"'I don't have an agent, I organise my own tours, and apart from the odd deadline when I have to do a remix, I work on tracks as and when it fits in.'"