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A very long overview of Swinsian, including instructions for having it work alongside iTunes.

Botwiki.org is an open-source collection of tutorials, articles, datasets and other resources for creating useful, interesting, artistic and friendly online bots.

Why did I say that? If I’m responding to someone’s question, am I trying to answer it (or better understand what they’re asking), or just boost my ego? Am I trying to be helpful or just look clever? Am I trying to contribute to a conversation or just make sure people know I Have Opinions? Why did I make that bad joke that disturbed the flow of the meeting?

Our kids are out there fighting for their lives. They’re fighting against police brutality, the school-to-prison pipeline, mass incarceration, discriminatory drug laws. It is an uphill battle met with resistance and danger at every step, but they keep fighting. When the news media labels them terrorists, they move to Twitter. When the old guard of civil rights leaders refuse to represent them, they decentralize and represent themselves. They pay heed to nobody. They don’t ask, they demand. … There is still a long way to go, and the deck is still stacked against our kids. They do need our support. But if you had asked me 5-10 years ago if a group of black college students could take down a university president, I would have laughed in your face. These kids are bolder than I could have ever imagined.

In the protests at Mizzou and Yale and elsewhere, students have made it clear that the status quo is unbearable. Whether we agree with these student protesters or not, we should be listening: They are articulating a vision for a better future, one that cannot be reached with complacency. … We cannot ignore what is truly being said by both groups of protesters: That not all students experience Yale equally, and not all students experience Mizzou equally. These conversations were happening well before these protests, and they will continue to happen until students are guaranteed equality of experience. They are still being forced, however, to first prove that it is worth opening a conversation about either. … Student activism is widespread, because some students are making the most of their college experience. They understand that this may very well be the last moment in their lives when they can confront real issues in an environment where they are forced to encounter people who don’t look like them, who don’t think like them, environments where change is still possible. The Student Nonviolent Coordinating Committee and protestors at campuses across the country including Yale and Mizzou are part of a robust, vital tradition that we should not overlook. Today’s student activists are doing the necessary work to ensure that the next generation that participates in the tradition of student activism will be fighting different battles. Or, perhaps, they are doing the necessary work to ensure that students, of all identities, might have a fighting chance to experience college and life beyond more equally than those who came before them.

Neither accommodation nor diversity—the preferred liberal solutions—are good answers to an intersectional critique. With this new conception of how power operates, the standards for what constitutes a safe space have increased. There’s virtually no way to create a room of two people that doesn’t include the reproduction of some unequal power relation, but there’s also no way to engage in politics by yourself. … Even most advocates will admit that literal safe space is a utopian idea. Without a unified radical movement, utopianism can look like petty intransigence or an inability (rather than refusal) to cope with the world as it is. But with insights gleaned from decades of experimentation, scholarship, and struggle, most leftists understand that in the web of power relations there is no real shelter to be found. No one can be so conscious and circumspect as to cleanse themselves of all oppressive ideology before entering a meeting or a party or a concert or classroom. As a result, the meaning of safe space has shifted again. … A safe space, despite the denotation of the phrase, is somewhere people come together and—in addition to whatever else they’re doing—wrestle with the chicken-and-egg problem of how to change themselves and the world at the same time.

The default for avoiding discussion of racism is to invoke a separate principle, one with which few would disagree in the abstract—free speech, respectful participation in class—as the counterpoint to the violation of principles relating to civil rights. This is victim-blaming with a software update, with less interest in the kind of character assassination we saw deployed against Trayvon Martin and Michael Brown than in creating a seemingly right-minded position that serves the same effect. … The broader issue is that the student’s reaction elicited consternation in certain quarters where the precipitating incident did not. The fault line here is between those who find intolerance objectionable and those who oppose intolerance of the intolerant. … These are not abstractions. And this is where the arguments about the freedom of speech become most tone deaf. The freedom to offend the powerful is not equivalent to the freedom to bully the relatively disempowered. The enlightenment principles that undergird free speech also prescribed that the natural limits of one’s liberty lie at the precise point at which it begins to impose upon the liberty of another.

Maybe we shouldn't worry so much about the students who ask that others consider their feelings and their histories, the ones who don't want to talk to reporters, the ones who would like people to stop wearing Native American headdresses or blackface to Halloween parties. Maybe we should worry more about the students who seem hellbent on doing whatever they'd like, history or context or plain old manners be damned. Instead of worrying about the students who point out violent threats on Yik Yak, worry about the students making threats.

Perhaps one of the most important points drive home after the attacks was the dissonance present in President Obama’s saying that these were “an attack on all of humanity and the universal values we all share.” This, of course, begs the question: Whose humanity? Who has the privilege of being humanized? Why weren’t the recent suicide attacks in Baghdad and Beirut also an attack on humanity? … In attempting to discuss both historical colonial and present neo-imperial European violence, many people expressed a non-desire to politicize the deaths. But how do we reconcile the dissonance in hastily naming a political perpetrator whilst refusing to analyze the motivations for their actions? It is important to honor the individuals who were killed in these acts of violence, and central to honoring their deaths is ensuring that we understand why these attacks may have happened in an effort to prevent further human suffering. Thus, it is important to conceptualize these deaths as “collateral damage” within the War on Terror. We are unused to classifying western deaths by terror attack as “collateral damage,” because we are unused to situating ourselves within the paradigm of violence and unused to likening ourselves to similarly victimized Muslim civilians abroad. “Collateral damage,” in our detached wartime vocabulary, connotes unnecessary deaths: it is a term that normalizes both the dehumanization and expendability of the black and brown, foreign Muslim “other.” We cannot properly honor the deaths of Parisians killed in these terror attacks without analyzing our governments’ understanding of the subsequent radicalization that has followed invasions and airstrikes in Afghanistan, Iraq, Libya, and Syria; drone strikes in Somalia, Pakistan, Lebanon, Yemen, and other countries; and the American bombing of the Doctors without Borders hospital in Afghanistan in October.

Aziz Ansari's Tom Haverford nicknames foods on ‘Parks and Recreation.’ Tofu is… NATURE SPONGES

procedural salt flats, mountains, forests

The point isn’t that all the boilerplate should be inherently unenforceable. Most of it is pretty benign. “This is the address to which you should address your billing dispute.” “We really can’t promise that our network is so robust you can run a hospital or nuclear submarine on it. So please don’t try.” “In case for some reason you were confused, the trademark ‘Verizon’ is not yours, even though it’s stamped on your phone.” But sometimes there’s something nasty in there. Forced arbitration clauses. Class action waivers. Undisclosed charges (or whatever it is that makes AT&T think it can just tack on a few dollars in extra charges every month to pad its bottom line). There’s really nothing an individual consumer can do about any of this. Anyway, two points. 1. The Consumer Financial Protectin Bureau is really important to curb the worst of these abuses. 2. Let’s not blame people for “agreeing” to things that they didn’t actually agree to in any meaningful way.

The computers we have today are not bicycles. Instead we’ve got something more like a car for the mind. Which, you know, does get you around and is easier and more comfortable than a bike. But at what cost? When we decided that America would be a place for cars, we signed ourselves up for urban sprawl, air pollution, car crashes, and oil wars. And even on a human scale, cars are as much liabilities as they are assets — I’m sure we’ve all known people working terrible jobs to keep their junker running so they can get to their terrible job.

We spoke to some of our favorite bot-makers about their favorite Twitter bots — their own, and made by others in the #botALLY community — to surface some lesser-known projects worth following.

Immersing yourself in Art Angels is like being inside a vibrantly hued video game — a joyride down Rainbow Road. But for every moment that Boucher let us into her world, there’s another when she’s receding from view, lost in a private reverie, humming to amuse nobody but herself. And thank God, because this is the strange charm I was scared her music might lose as it sought and found a larger audience. “If you’re looking for a dream girl,” she sings with a hard-won assertiveness on the final track, “I’ll never be your dream girl.” Grimes still makes superhero music for introverts, fight songs for people who did not realize they were strong until the perfect song came along and told them so.

Garden of Delete is unlike anything that Daniel Lopatin has done, in terms of technique, mood, or scope. It is denser than his previous albums, by several orders of magnitude. It is more varied, and it is funnier—scarier, too. The album carries with it a risk of whiplash that's as potent on the 15th listen as on the first.

One of the most notable and striking differences between Art Angels and its Top 40 kin is that these are not love songs. The album is an epic holiday buffet of tendentious feminist fuck-off, with second helpings for anonymous commenters and music industry blood-suckers. Her conflicted, vertiginous relationship with the fast fame that followed Visions seems to have led her to a place of DGAF liberation.

We expect women to perform a specific kind of resilience: they must loudly and spectacularly demonstrate that they have overcome patriarchal oppression. Noisy feminism is both a new gender norm for women to embody and a tool white supremacy uses to scapegoat non-white men for lingering sexism.

At 14:57:44, SilverFox316 wrote: Back from 1936 Berlin; incapacitated FreedomFighter69 before he could pull his little stunt. Freedomfighter69, as you are a new member, please read IATT Bulletin 1147 regarding the killing of Hitler before your next excursion. Failure to do so may result in your expulsion per Bylaw 223.

Drawings of animals and plants.

Explore Internet Archive Book Images's 5,328,417 photos on Flickr!

Resources for creating Twitter bots.

Some bot resources.

We all have to work towards making inclusion an ordinary occurrence. Rather than wonder about how to adequately represent exactly 17% colored people in an image that only has three people in it, chill out and drop some extra color in there. You are neither atoning for hundreds of years of continued injustice, nor creating institutionalized racism against white people. You’re just making the world a little friendlier for the many, many people alienated by their media. Don’t overthink it, just go for it.

In this debate (which I guess it is now), the participants actually agree on the basic principle that: you should support a woman over a man for president provided that her views aren’t really bad. The only thing we disagree on is whether the proviso at the end of that principle is satisfied here. I think Hillary’s actions and views about the poor are so egregious that they should disqualify her from our support (especially where there is a better candidate out there). Others don’t think they are egregious enough to warrant disqualification.

A review of Ann Leckie’s ‘Imperial Radch’ trilogy. Central to Leckie’s trilogy is how important it is to feel a sense of control over one’s identity and how being recognized is a precondition for having power. These themes are not exclusive to one particular time or place, of course, but Leckie taps acutely into the feelings (and fears) that drive current American politics and movements for change. One of the chief pleasures of the trilogy is just how many wrongs Breq tries to make right and how committed she is to making incremental progress even when problems become fraught and complicated. Breq’s actions are underscored by her profound grief, anger, and shame that give way, even if just a little bit, to the solace and hope she finds in her crew and her makeshift family of A.I.s. The end of Ancillary Mercy is satisfying because it is so very un-Radchaai: diverse, messy, and honest. “In the end,” Breq realizes, “it’s only ever been one step, and then the next.”

On translation Ann Leckie's ‘Imperial Radch’ series: What is clear in all of these responses is that by examining the notions of ‘neutral’ and ‘feminine’ in grammar and gender through the lens of translation, we reveal their complexity – and some of their possible futures in languages, in both literature and speech.

The Wave Organ is a wave-activated acoustic sculpture located on a jetty in the San Francisco Bay. Sound is created by the impact of waves against the pipe ends and the subsequent movement of the water in and out of the pipes. The sound heard at the site is subtle, requiring visitors to become sensitized to its music, and at the same time to the music of the environment. The Wave Organ sounds best at high tide.

Welcome to birdWalker, a website of birding photos and trip reports by Bill Walker and Mary Wisnewski, California birders based in Santa Clara County. We've been collecting our trip reports since 1996, we have now recorded 857 trips and 784 species.

Ever wonder what's running under the hood here at CSS-Tricks? Well, it's been a while since we last shared the WordPress plugins used here on the site, and