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A talk at dConstruct 2013. I'm here by way of atonement, because I used to be a real jerk about fandom, and I used to make fun of them, and think they were wasting their time. And then I had this kinda life-changing come-to-Jesus moment that I want to talk to you about and this really weird artifact that got produced partly because of me, and it's completely changed my thinking. And as I've gotten to know fandom and really like them, I've come to believe that they kind of represent a future and a model for what communities are like on the Internet when you have actual people using machines to talk to one another rather than this kind of invented sense of what social life and social networks are supposed to be like, the way we've engineered them.

On the hand holding the ‘Add to Slack’ button in a piece of marketing design being a brown hand. Why was the choice an important one, and why did it matter to the people of color who saw it? The simple answer is that they rarely see something like that. These people saw the image and immediately noticed how unusual it was. They were appreciative of being represented in a world where American media has the bad habit of portraying white people as the default, and everyone else as deviations from the norm.

There are many possibilities for modal overlays to appear. Here are some modern ways of showing them using CSS transitions and animations.

Awesome handling of keyboard events. jwerty is a JS lib which allows you to bind, fire and assert key combination strings against elements and events. It normalises the poor std api into something easy to use and clear.

Peity (sounds like deity) is a simple jQuery plugin that converts an element's content into a simple mini pie, donut, line, or bar chart.

As the content industry consolidates in weird and unsettling ways over the next few months, understand the stakes: venture-funded publications, aware of how quickly their borrowed social audiences appeared and therefore understanding how quickly they could go somewhere else, will rightly crave security in the form of an exit. The best might go public, and find new ways to justify their independent existence, creating something like full-service content agencies, producing news and entertainment and ads as their ever-shifting context permits. Others will simply attempt to pitch their value to Facebook (or whatever) as something valuable to companies other than Facebook (or whatever). Those purely dependent publications that fail–maybe those middling, boldly cynical latecomer social mills about nothing??—will take stock of their remaining parts, and realize that they assemble into nothing. They will only be able to lurch forward until the money runs out.

Full access to the software and services your business runs on is crucial; be sure you know all current license and login details.

I cannot continue to emotionally exhaust myself trying to get this message across, whilst also toeing a very precarious line that tries not to implicate any one white person in their role of perpetuating structural racism, lest they character assassinate me. So I’m no longer talking to white people about race. I don’t have a huge amount of power to change the way the world works, but I can set boundaries. I can halt the entitlement they feel towards me and I’ll start that by stopping the conversation. The balance is too far swung in their favour. Their intent is often not to listen or learn, but to exert their power, to prove me wrong, to emotionally drain me, and to rebalance the status quo. I’m not talking to white people about race unless I absolutely have to. If there’s something like a media or conference appearance that means that someone might hear what I’m saying and feel less alone, then I’ll participate. But I’m n

In this edition of his monthly column, the premier writer on new, emergent, underground music addresses how the framing of music can radically redefine it. I love vaporwave and ‘internet music’, I really do. At its best it’s a provocative, complex and highly modern statement—but can you imagine it getting stupider, then more commonplace, then sticking around for more or less a decade? And towards the end of the decade, a well-meaning ebook gets published called Internet Music: The Weird and Wonderful World of Online Sounds, its title all spelled out in unicode characters and a naked 3D virtual woman floating above a blue watery backdrop on the cover? Wouldn’t you want a more exciting decade?

Great interview. Porpentine is an award-winning artist who has recently released a collection of her hypertext work from 2012-2015 called Eczema Angel Orifice. There are 25 stories collated in total. To create them, Porpentine drew from her own traumatic experiences and emotions, spinning them into engrossing, oneiric fictions.

Every time we write about an encounter that portrays the police in a negative light — the death of Bland, or the McKinney pool party, or police in Austin pepper spraying and snatching property out of citizen hands for no visible reason — we receive comments from readers who want to know why we don’t spend more time writing about the good things that the police do, or why we aren’t writing about when police are killed in the line of duty. The reason for that is simple: Because when an officer like Brian T. Encinia, or Eric Casebolt, or any other person we entrust with a badge and a gun abuses his authority, he’s doing so in our name, on our dime. When a police encounter ends with Sandra Bland dead or teenagers abused, we all bear some culpability for it, because we paid them to do it. And as long as we talk about bad-apple police, or how refusing to comply with police orders with a smile on your faces means that you bear some responsibility for whatever the police do to you afterward, we’re endorsing that system. The death of a police officer at the hands of a criminal is a tragedy, but it’s one that has a clear and simple villain: The person who pulled the trigger. The death of Sandra Bland is a tragedy, too, but the villain there is one it’s a lot less comfortable to identify: It’s all of us who empower a police culture that, as it’s been proven again and again in recent years, does not work for all of the citizens it was created to serve and protect.

Too often, work cultures neglect the fact that workers have bodies, forgetting that food, exercise, and rest are design requirements.

In the late 1980's and early 1990's, I worked for Kmart behind the service desk and the store played specific pre-recorded cassettes issued by corporate. This was background music, or perhaps you could call it elevator music. Anyways, I saved these tapes from the trash during this period and this video shows you my extensive, odd collection. The older tapes contain canned elevator music with instrumental renditions of songs. Then, the songs became completely mainstream around 1991. All of them have advertisements every few songs. The monthly tapes are very, very, worn and rippled. That's because they ran for 14 hours a day, 7 days a week on auto-reverse. If you do the math assuming that each tape is 30 minutes per side, that's over 800 passes over a tape head each month.

But words do not adhere to their creators’ intentions, and the word “meritocracy” has certainly not clung strictly to Young’s definition. In usage it has morphed from a flawed sociological experiment to a disingenuous defense: having failed to introduce the necessary changes to produce an actual meritocracy, the wealthy elite simply appropriated its trappings. The new meritocrat is simply the old aristocrat with a righteous smirk on his face.

A podcasts site focusing on black podcasts and podcasts of color.

Don’t you hate when editors use “I don’t know enough writers of color” as an excuse to back up the homogeneity of their publications? We do too. Here’s a fix, brought to you by Durga Chew-Bose, Jazmine Hughes, Vijith Assar, and Buster Bylander. Need someone to cover politics? Here you go. A correspondent in Chicago? We’ve got you covered. We aim to create more visibility for writers of color, ease their access to publications, and build a platform that is both easy for editors to use and accurately represents the writers. The response so far has been overwhelming (thank you!) and we welcome further feedback from both camps, but please realize that this site is run by volunteers and is a work in progress. We still need help fixing mistakes and keeping things running smoothly.

To understand race in the U.S. today, it's Kalief Browder's story, not Rachel Dolezal's, that really matters. … At our implicit behest, a boy was snatched off the streets of New York. His parents were told to pay a certain sum, or he would not be released. When they did not pay, he was beaten and then banished to lonely cell. Browder’s captors then offered him a different way out—pay for your freedom in the political currency of a guilty plea. He refused. More beatings. More solitary. The sum was lowered. Browder still refused. He was subjected to the same routine. Browder defeated his captors. They tired, released him, and likely turned to perpetrate the same scheme on some other hapless soul. … If Americans are not responsible for what happened to Kalief Browder, for the ransoming of children, then we are not responsible for ensuring that it never happens again.

Regarding the ‘Why Are You So Angry?’ series of videos about angry gamers on the internet. My feeling was that I, as a privileged person, can get away with kicking a hornets’ nest. The angle I’d never considered, likely because I and the people who helped me make the video have never been on the receiving end of this kind of backlash, is splash damage. That when you engage with Jack, there are often bystanders. That privilege may protect me, but it doesn’t protect everyone in the blast radius. That if I engage with Jack about Anita, he might just go attack Anita in retaliation. The thing about hornets is they don’t only sting the person who kicks the hive.

“I’m trying to put on those Phil Collins melodies,” West told Miss Info, naming the most elusive and least-explored influence on 808s. He was talking about Collins’ synth-like, proto-Auto-Tuned voice, but there’s also a sonic kinship between the hard, sharp, and dry drums that Collins popularized on his earliest solo records and the uncanny explosions in dead space that make up 808s’ beats. Collins first came upon this “gated reverb” drum sound while working on Peter Gabriel’s 1980 track “Intruder”, when the song’s engineer, Hugh Padgham, used a microphone normally used for in-studio communication—something closer to an intercom—and then trapped and snuffed out any overtones with a signal processor called a noise gate. It made the drum hits both vivid and lifeless, loud sounds that confused our sense of how loud sounds travel. The technique was famously employed on Collins’ signature hit “In the Air Tonight”, which Kanye has covered live.

Once he left Syria, Mr. Aljasem said one of the first things he did was get a new smartphone, because it was too dangerous to travel with one in Syria. Soldiers at government checkpoints, as well as at Islamic State checkpoints, commonly demand Facebook passwords, he said. They look at Facebook profiles to determine one’s allegiance in the war.

And if you are a whale, we take Facebook stalking to a whole new level. You spend enough money, we will friend you. Not officially, but with a fake account. Maybe it’s a hot girl who shows too much cleavage? That’s us. We learned as much before friending you, but once you let us in, we have the keys to the kingdom. We will use everything to figure out how to sell to you. I remember we had a whale in one game that loved American Football despite living in Saudi Arabia. We built several custom virtual items in both his favorite team colors and their opponents, just to sell to this one guy. You better believe he bought them. And these are just vanity items. We will flat out adjust a game to make it behave just like it did last time the person bought IAP. Was a level too hard? Well now they are all that same difficulty.

Without an overhaul of how we understand student benefits, making college free would boost the wealth of college attendees without any egalitarian gains. The goal of free college should not be to help students per se, but instead to bind them to a broader welfare benefit system. By presenting their tuition subsidies and living grants as indistinguishable from benefits for the disabled, the poor, the elderly, and so on, it may be possible to encourage wealthier students to support the welfare state and to undermine students’ future claims of entitlement to the high incomes that college graduates so often receive. After all, the college income premium would only be possible through the welfare benefits to which the rest of society—including those who never went to college—has contributed.

Here is every dog Hallie Bateman saw today, as described by their human companions.

Notes on Kim Kardashian and the most important videogame of 2014. Anyway, high/low, camp/class, feminism/exploitation: It’s all breaking down. The digital revolution has made our hierarchies diffuse, and in some cases, defunct. So while Kim may be seen as a sign of end times to those who feel they must protect some temple of good taste, she has become something of a folk hero to a new generation that doesn’t see old-guard institutions as anything but obstacles to disrupt and shatter.

Comic about a classic experiment into drug addiction science: Rat Park. Would rats choose to take drugs if given a stimulating environment and company?

A truly bizarre story of Marlon Brando, who loved eggs, and Joe Flynn, who was convinced that ‘personal eggs,’ or a spigot in your kitchen that dispensed cracked eggs, were the end to world hunger.

"That is, can we fix homelessness in SimCity, or because we haven't fixed homelessness as a problem in real life, therefore we are bound to lose?" Bittanti asked. "Is SimCity a reflection of what's happening in reality, and therefore is very realistic, or is it a programming issue?"

I find it particularly disturbing the way that we try to find excuses for killings, the way that we seek to deprecate a person when they have been killed rather than insisting that they deserved to remain among the living.

French photographer — Landscapes & Street Photography

There is a timidity that the country can no longer afford. This was not an unthinkable act. A man may have had a rat's nest for a mind, but it was well thought out. It was a cool, considered crime, as well planned as any bank robbery or any computer fraud. If people do not want to speak of it, or think about it, it's because they do not want to follow the story where it inevitably leads. It's because they do not want to follow this crime all the way back to the mother of all American crimes, the one that Denmark Vesey gave his life to avenge. What happened on Wednesday night was a lot of things. A massacre was only one of them.