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Jarrod Jenkins: 100 Days As A Black Man In Silicon Valley
Jarrod Jenkins: 100 Days As A Black Man In Silicon Valley
I get angry in SF, too. I saw a quote at the African American museum from Rep. Barbara Jordan that read, “All blacks are militant in their guts, but militancy is expressed in different ways.” For me, militancy is best expressed by attacking the problem and not just complaining about it. I’m furious about the homeless problem in SF, so I’m working to do something about it. And I’d like to see more Blacks in tech, so I started with myself.
·verysmartbrothas.com·
Jarrod Jenkins: 100 Days As A Black Man In Silicon Valley
Adam Kotsko: What’s lost in the immigration debate
Adam Kotsko: What’s lost in the immigration debate
It’s not just that the target country happens to be rich while the immigrant’s home country happens to be poor (or, I might add, in political turmoil, in a state of civil war, etc., etc.). Those conditions hold in the home country because of the destructive effects of Western involvement — not just during the era of “official” colonization, but on an ongoing basis. People generally don’t leave prosperous, self-sufficient countries en masse in order to drive cabs and clean hotel rooms in a foreign country where they will be hated and scapegoated.
·itself.wordpress.com·
Adam Kotsko: What’s lost in the immigration debate
Navneet Alang: The Only Good Man is a Self-Hating Man (Hazlitt)
Navneet Alang: The Only Good Man is a Self-Hating Man (Hazlitt)
But it is just that pre-cognitive nature of desire and the unconscious that makes self-hate such a virtue for men. It isn’t actual “self-hatred” either, but rather, a deep skepticism of oneself—a profound mistrust of what it means to be a man. To be a good straight man is to be in a constant state of deprogramming oneself, unlearning, emptying out a vessel that has been filled with toxicity since its creation.
·penguinrandomhouse.ca·
Navneet Alang: The Only Good Man is a Self-Hating Man (Hazlitt)
Chris Coyier: Tales of a Non-Unicorn: A Story About The Trouble with Job Titles and Descriptions (CSS Tricks)
Chris Coyier: Tales of a Non-Unicorn: A Story About The Trouble with Job Titles and Descriptions (CSS Tricks)
Who is writing these descriptions? I'm sure these companies find a perfect match now and again. But I have a feeling that's not the norm. It's more likely that many of these companies just don't know what they need so they look for everything. A recruiter or HR person whips something up and puts it out there to see who bites. Maybe they'll catch a unicorn!
·css-tricks.com·
Chris Coyier: Tales of a Non-Unicorn: A Story About The Trouble with Job Titles and Descriptions (CSS Tricks)
Mike Monteiro: In Praise of the AK-47
Mike Monteiro: In Praise of the AK-47
And to design is to take purpose into account — as my friend Jared Spool says: design is the rendering of intent. You can’t separate an object’s function from its intent. You cannot critique it, you cannot understand it, and you cannot appreciate something without thinking about its intent. You are responsible for what you put into the world. And you are responsible for how what you’ve designed affects the world. Mikhail Kalashnikov is responsible for as many deaths as the people who pulled those triggers.
·deardesignstudent.com·
Mike Monteiro: In Praise of the AK-47
The New York Times: Transgender Today
The New York Times: Transgender Today
Being transgender today is still unreasonably hard, but it is far from hopeless. This is the first in a series looking at the challenges ahead.
·nytimes.com·
The New York Times: Transgender Today
Erika Hayasaki: Living With Being Dead (Matter)
Erika Hayasaki: Living With Being Dead (Matter)
his terrifying disorder turns people into zombies, into living, breathing ghosts; they believe they died, or never existed. And somewhere in their brains may be the key to human consciousness.
·medium.com·
Erika Hayasaki: Living With Being Dead (Matter)
I am the fold
I am the fold
An experiment to show how designing for The Fold can be treacherous. Each line below is from a random sampling of past-visitors' viewport heights. Take care when making assumptions about people's screen sizes on the web.
·iamthefold.com·
I am the fold
Soraya Chemaly: How We Teach Our Kids That Women Are Liars (Role Reboot)
Soraya Chemaly: How We Teach Our Kids That Women Are Liars (Role Reboot)
I find it sad and disturbing that children learn so quickly and normatively to distrust women. Any commitment to parity means challenging the stories we tell them. It means critically assessing the comforting institutions we support out of nostalgia, habit, and tradition. It means walking out of places of worship, not buying certain movie tickets, closing some books, refusing to pay for some music, and politely disagreeing with friends and family at the dinner table. It’s not easy. But, really, what’s the alternative?
·rolereboot.org·
Soraya Chemaly: How We Teach Our Kids That Women Are Liars (Role Reboot)
Chris Offutt: Trash Food
Chris Offutt: Trash Food
Economic status dictates class and diet. We arrange food in a hierarchy based on who originally ate it until we reach mullet, gar, possum, and squirrel—the diet of the poor. The food is called trash, and then the people are.
·oxfordamerican.org·
Chris Offutt: Trash Food
Freepik
Freepik
More than a million free vectors, PSD, photos and free icons. Exclusive freebies and all graphic resources that you need for your projects.
·freepik.com·
Freepik
Sean Rose: RPG
Sean Rose: RPG
“See… when I was 19, I lost my childhood home to a fire.”
·liljabroni.wordpress.com·
Sean Rose: RPG
Ronald Wimberly: Lighten Up
Ronald Wimberly: Lighten Up
A cartoonist reflects on the subtle racism of shifting skin tones in a Marvel comic.
·thenib.com·
Ronald Wimberly: Lighten Up
Input
Input
Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for richer code formatting.
·input.fontbureau.com·
Input
Brett Victor: The Web of Alexandria (follow-up)
Brett Victor: The Web of Alexandria (follow-up)
If your goal is to fix this broken medium, please consider that, historically, people have relied on different media for different social purposes, and have relied on a clear understanding of how the technical properties of each medium determine the social and temporal scope of its messages.
·worrydream.com·
Brett Victor: The Web of Alexandria (follow-up)
Michelle Lyn King: Taylor Swift YouTube Videos
Michelle Lyn King: Taylor Swift YouTube Videos
To be told what is and is not a big deal is to be a young woman or maybe just a woman. I don’t know yet. Give me some time and I’ll get back to you on that one.
·shabbydollhouse.com·
Michelle Lyn King: Taylor Swift YouTube Videos
Alyssa Rosenberg: ‘Game of Thrones’ has always been a show about rape
Alyssa Rosenberg: ‘Game of Thrones’ has always been a show about rape
If reading this litany has been exhausting, it’s testament to just how well “Game of Thrones” has done at leavening this grimness with humor, tenderness and moments of real human connection. But it also ought to suggest how odd it is to accuse the showrunners of adding a sexual assault to somehow up the stakes when, dragons aside, intimate violence is already at the core of so many of the series’ storylines. There’s no requirement that anyone like any of these storylines or that anyone who feels exhausted from spending his or her days in a world marked by sexual violence retreat to a worse one for pleasure. But that’s not the same thing as proof that “Game of Thrones” is generally careless in its depiction of sexual assault or that rape doesn’t serve a purpose on the show. Sansa Stark isn’t ruined, as a character or as a person, because she was raped. She lives, and her story continues, even if you’re not tuning in to watch
·washingtonpost.com·
Alyssa Rosenberg: ‘Game of Thrones’ has always been a show about rape
Maria Bustillos: The Startling Humanism of ‘Mad Max: Fury Road’
Maria Bustillos: The Startling Humanism of ‘Mad Max: Fury Road’
In Max, we may read modern men in general, who were taught to fight and die and bleed for everyone else, uncomplainingly and alone, who were taught that women were weak, dependents to be “cherished” and protected—not equals who could fend for ourselves or fight side-by-side with them. But at some point in the late twentieth century, men somehow learned a different way of thinking about all that. What Miller is really doing is teaching men, not only women, how to rise above the patriarchy.
·theawl.com·
Maria Bustillos: The Startling Humanism of ‘Mad Max: Fury Road’
Mat Marquis: `text-rendering: optimizeLegibility` is Decadent and Depraved
Mat Marquis: `text-rendering: optimizeLegibility` is Decadent and Depraved
TL;DR: Using `text-rendering: optimizeSpeed` can do a lot for performance. All this typographic power came with a cost: text-rendering: optimizeLegibility is slow—and by “slow,” I mean that it can bog down an entire page, from initial render time to repaints. More than that, though, it’s buggy: Android in particular has serious issues trying to render a page that uses optimizeLegibility heavily, especially the older versions that are still, sadly, very common today.
·bocoup.com·
Mat Marquis: `text-rendering: optimizeLegibility` is Decadent and Depraved