Saved (Public Feed)

Saved (Public Feed)

4231 bookmarks
Custom sorting
Miya Tokumitsu: In the Name of Love (Jacobin Magazine)
Miya Tokumitsu: In the Name of Love (Jacobin Magazine)
Think of the great variety of work that allowed Jobs to spend even one day as CEO: his food harvested from fields, then transported across great distances. His company’s goods assembled, packaged, shipped. Apple advertisements scripted, cast, filmed. Lawsuits processed. Office wastebaskets emptied and ink cartridges filled. Job creation goes both ways. Yet with the vast majority of workers effectively invisible to elites busy in their lovable occupations, how can it be surprising that the heavy strains faced by today’s workers (abysmal wages, massive child care costs, et cetera) barely register as political issues even among the liberal faction of the ruling class?
·jacobinmag.com·
Miya Tokumitsu: In the Name of Love (Jacobin Magazine)
Stackicons
Stackicons
Icon fonts for web designers with added flexibility, including multiple button shapes and a unique multi-color option. Free and open source, Stackicons-Social includes finely-crafted icons for over 60 social brands. The Stackicons project is by Parker Bennett, a web designer and front-end developer based in Los Angeles.
·stackicons.com·
Stackicons
Greg Knauss: The Empathy Vacuum
Greg Knauss: The Empathy Vacuum
What I’m talking about here is how addictive the righteousness that comes from that condemnation is, and how we will apparently turn to any source we can find for it — even when that source is not evil or harmful or part of any world we exist in or understand.
·eod.com·
Greg Knauss: The Empathy Vacuum
The Games That Pushed the Limits of the NES
The Games That Pushed the Limits of the NES
Thinking back to most of the games you played on the NES, it’s easy to remember the 8-bit library as being simple and possibly even primitive. However, if you dig deep into the library, there is a surprising amount of games that maxed out the NES hardware to produce some impressive graphics and sound (See […]
·racketboy.com·
The Games That Pushed the Limits of the NES
The Best Undiscovered Nintendo NES Games
The Best Undiscovered Nintendo NES Games
Usually, when you get a new-to-you console or you boot up an emulator for the first time (try NesterDC, for instance), you can usually find or remember the major games to check out. But what happens when you need something different to play? This is where the “Hidden Gems” come in. Read More About My […]
·racketboy.com·
The Best Undiscovered Nintendo NES Games
Stewart Berman: Sun Kil Moon's Benji: A Glossary
Stewart Berman: Sun Kil Moon's Benji: A Glossary
Though the musical components of Sun Kil Moon’s Benji rarely amount to more than Mark Kozelek’s voice and acoustic guitar, its lyrical universe is incomparably vast, spanning countries and decades, populated by dead relatives, high school friends, indie-rock peers, serial killers, and corporate-franchised eateries alike.
·pitchfork.com·
Stewart Berman: Sun Kil Moon's Benji: A Glossary
Amanda Hess: Why Women Aren't Welcome on the Internet (Pacific Standard)
Amanda Hess: Why Women Aren't Welcome on the Internet (Pacific Standard)
Ignore the barrage of violent threats and harassing messages that confront you online every day.” That’s what women are told. But these relentless messages are an assault on women’s careers, their psychological bandwidth, and their freedom to live online. We have been thinking about Internet harassment all wrong.
·psmag.com·
Amanda Hess: Why Women Aren't Welcome on the Internet (Pacific Standard)
David Graeber: On the Phenomenon of Bullshit Jobs (Strike! Magazine)
David Graeber: On the Phenomenon of Bullshit Jobs (Strike! Magazine)
This is a profound psychological violence here. How can one even begin to speak of dignity in labour when one secretly feels one’s job should not exist? How can it not create a sense of deep rage and resentment. Yet it is the peculiar genius of our society that its rulers have figured out a way to ensure that rage is directed precisely against those who actually do get to do meaningful work.
·strikemag.org·
David Graeber: On the Phenomenon of Bullshit Jobs (Strike! Magazine)
Ryan Leas: Slow Burn, Slow Fade: Inside The Walkmen’s Final Days (Stereogum)
Ryan Leas: Slow Burn, Slow Fade: Inside The Walkmen’s Final Days (Stereogum)
Somewhere along the line, something went wrong. Things fell out of place, or failed to fall into place to begin with. The general assumption is that Johnny Marr’s set went absurdly long, and that nobody forced Kurt Vile to shorten his in order to get things back on schedule. On subsequent days, photographers and others in and out of the backstage scenes will repeat a rumor that the Walkmen bringing their own sound man along contributed to the issues and the confusion, but no one really knows what that means. Whatever the cause, things don’t go right. Having flown in that morning from their various hometowns — New Orleans, Philadelphia, New York — the Walkmen arrive in Austin on Friday, November 8, for a high-billed set at Fun Fun Fun Fest, and are able to play only six songs.
·stereogum.com·
Ryan Leas: Slow Burn, Slow Fade: Inside The Walkmen’s Final Days (Stereogum)
Tom Scocca: On Smarm (Gawker)
Tom Scocca: On Smarm (Gawker)
Last month, Isaac Fitzgerald, the newly hired editor of BuzzFeed's newly created books section, made a remarkable but not entirely surprising announcement: He was not interested in publishing negative book reviews. In place of "the scathing takedown rip," Fitzgerald said, he desired to promote a positive community experience.
·gawker.com·
Tom Scocca: On Smarm (Gawker)
Mark Richardson: A Window That Isn't There: The Elusive Art of Bill Callahan (Pitchfork)
Mark Richardson: A Window That Isn't There: The Elusive Art of Bill Callahan (Pitchfork)
Callahan’s power as a songwriter comes from observation. He finds things that don’t initially seem notable and then puts them under a microscope until we see something new. By imbuing simple objects with symbolic power and laying them out clearly, he can create an image or a feeling that seems closer to the person hearing it.
·pitchfork.com·
Mark Richardson: A Window That Isn't There: The Elusive Art of Bill Callahan (Pitchfork)
Rawiya Kameir: M.I.A.’s ‘Matangi’ Is a Defiantly Personal Reclamation of the Brown Girl Narrative (The Daily Beast)
Rawiya Kameir: M.I.A.’s ‘Matangi’ Is a Defiantly Personal Reclamation of the Brown Girl Narrative (The Daily Beast)
It’s fairly easy, and indeed tempting, to write M.I.A. off as a faux-radical who relies on the borrowed aesthetics of revolution to sell records. But that superficial reading belies her truest political work: her commitment to self and the exploration of identity in a world and industry that is more comfortable with easily digestible predetermined narratives, particularly when it comes to racialized people.
·thedailybeast.com·
Rawiya Kameir: M.I.A.’s ‘Matangi’ Is a Defiantly Personal Reclamation of the Brown Girl Narrative (The Daily Beast)