Saved (Public Feed)

Saved (Public Feed)

4231 bookmarks
Custom sorting
Misérable Politics: Why Anne Hathaway Should Go-Away (Tits and Sass)
Misérable Politics: Why Anne Hathaway Should Go-Away (Tits and Sass)
Celebrities seeking to provide “a voice for the voiceless” would do well to remember that sex workers aren’t voiceless, just consistently ignored. There may well be women out there who relate to Fantine, but in reducing the experiences of all sex workers to one tale of tragic misery, Hathaway’s comments silence and dehumanize the same women she seeks to ‘help.’
·titsandsass.com·
Misérable Politics: Why Anne Hathaway Should Go-Away (Tits and Sass)
Shanley Kane: What Your Culture Really Says (Pretty Little State Machine)
Shanley Kane: What Your Culture Really Says (Pretty Little State Machine)
The monied, celebrated, nuevo-social, 1% poster children of startup life spread the mythology of their cushy jobs, 20% time, and self-empowerment as a thinly-veiled recruiting tactic in the war for talent against internet giants. The materialistic, viral nature of these campaigns have redefined how we think about culture, replacing meaningful critique with symbols of privilege. The word “culture” has become a signifier of superficial company assets rather than an ongoing practice of examination and self-reflection.
·blog.prettylittlestatemachine.com·
Shanley Kane: What Your Culture Really Says (Pretty Little State Machine)
Mike Powell: On Second Thought: Steely Dan — Gaucho (Stylus Magazine)
Mike Powell: On Second Thought: Steely Dan — Gaucho (Stylus Magazine)
As if matching bitter, poetic cynicism with freewheeling jazz-rock wasn’t enough, with 'Gaucho', Fagen and Becker approached anti-music in the same way that plastic surgery approaches being anti-human: somehow, shreds of the same ideals are in tact, but they’re pushed to queasy extremes.
·stylusmagazine.com·
Mike Powell: On Second Thought: Steely Dan — Gaucho (Stylus Magazine)
Freddie deBoer: The Resentment Machine (The New Inquiry)
Freddie deBoer: The Resentment Machine (The New Inquiry)
Our system has relentlessly denied the role of any human practice that cannot be monetized. The capitalist apparatus has worked tirelessly to commercialize everything, to reduce every aspect of human life to currency exchange. In such a context, there is little hope for the survival of the fully realized self.
·thenewinquiry.com·
Freddie deBoer: The Resentment Machine (The New Inquiry)
Ira Robbins: Record Reviews: Who Needs ‘Em? (Rock's Backpages Writers' Blogs)
Ira Robbins: Record Reviews: Who Needs ‘Em? (Rock's Backpages Writers' Blogs)
Record reviews are now brief, upbeat and simple: download these songs, they’re good. Beyond that service, writers don’t provide much real value. They are unlikely to establish a strong connection with their readers, as no sense of prejudices and predilections can emerge from four sentences (at least one of which is going to be strictly informational). And you can’t even blame space. They are simply kowtowing to the preferences of those readers who care the least.
·rocksbackpagesblogs.com·
Ira Robbins: Record Reviews: Who Needs ‘Em? (Rock's Backpages Writers' Blogs)
Jon Millward: Deep Inside: A Study of 10,000 Porn Stars
Jon Millward: Deep Inside: A Study of 10,000 Porn Stars
For the first time, a massive data set of 10,000 porn stars has been extracted from the world’s largest database of adult films and performers. I’ve spent the last six months analyzing it to discover the truth about what the average performer looks like, what they do on film, and how their role has evolved over the last forty years.
·jonmillward.com·
Jon Millward: Deep Inside: A Study of 10,000 Porn Stars
Nitsuh Abebe: Why Can’t Beyoncé Have It All? (Vulture)
Nitsuh Abebe: Why Can’t Beyoncé Have It All? (Vulture)
Given 90 minutes of HBO airtime to sell us any story she wants, she paints a rosy, responsible, carefully composed picture of someone who is, at most, making baby steps toward being less of a perfectionist. The parts of Life Is But a Dream that show us a “real” and “vulnerable” ­Beyoncé feel like the parts of job interviews where someone’s asked about their greatest weaknesses.
·vulture.com·
Nitsuh Abebe: Why Can’t Beyoncé Have It All? (Vulture)
B Michael Payne: Just Free Stuff
B Michael Payne: Just Free Stuff
On the tons of excellent free music coming out via rappers and their mixtapes. Rappers are very much analogous to bloggers in that both groups sort of do what they do because they want to do it, but they also know there’s not really any worth to what they’re doing - except sometimes one of their cohort gets scooped up by some faceless place with money, so there’s always a little halo of maybe-money attached to what they do. Maybe that halo’s worth more than actually making a piddly amount of money.
·bmichael.me·
B Michael Payne: Just Free Stuff
Mark Richardson: A Couple of Thoughts on the Springsteen Keynote
Mark Richardson: A Couple of Thoughts on the Springsteen Keynote
All of which to say that Springsteen is very canny about his legacy. He’s smart and he should be. And he’s done a lot of good and made a ton of incredible music and inspired and even changed the lives of many people, including mine. But you have to remember to keep those two contradictory ideas about him in mind at the same time.
·markrichardson.org·
Mark Richardson: A Couple of Thoughts on the Springsteen Keynote
Maura Johnston: What Happened to Music Writing This Year? (NPR)
Maura Johnston: What Happened to Music Writing This Year? (NPR)
In 2012, attempts to stay ahead of readers' innate desires resulted in a collective throwing up of hands. Think pieces and reviews still existed, but they were accompanied by other attempts to lure readers: Trifles like album titles and track listings treated as news items worthy of their own "stories" (to maximize the possibility of people tripping over their fingers and into a unique view); artists out of the public spotlight for more than six months unearthed as if they were creatures from another dimension; Tweets and other public statements by artists taken out of context and drained of their tone so as to stoke "WTF" headlines; superlative-laden lists not even aimed at expressing an opinion in count-downable form; posts with factual errors seen as hits to institutional credibility and opportunities to wring double the traffic out of one story.
·npr.org·
Maura Johnston: What Happened to Music Writing This Year? (NPR)