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Jordan Sargent: Your Guide to RapGenius.com, the Controversial Rap Lyrics Site That Just Landed a $15 Million Investment (Gawker)
Jordan Sargent: Your Guide to RapGenius.com, the Controversial Rap Lyrics Site That Just Landed a $15 Million Investment (Gawker)
Well, some snotty kids got $15 million. At least the people who founded the culture that made them rich are also living on the high hog, right? Not quite. A lot of the originators of rap music — many of whose lyrics provide part of the content that RapGenius' business model is based on — are far from rich. Kool Herc, who maybe more than any one person can be said to have invented hip-hop, can't afford required surgery, and when these kids are parading around in suits and fresh kicks it leaves a bad taste in a lot peoples' mouths.
·gawker.com·
Jordan Sargent: Your Guide to RapGenius.com, the Controversial Rap Lyrics Site That Just Landed a $15 Million Investment (Gawker)
Squashed: Anonymity and the Creeper
Squashed: Anonymity and the Creeper
First, the value of anonymity decreases as the cost of criticizing those in power goes down. Protecting the anonymity of others becomes a whole lot less important when the only consequence of their speech is that they’ll have to live with people knowing what they said. Second, protecting anonymity is not a virtue in itself. As with other things, the value of protecting something hinges on the value of what you’re protecting.
·squashed.tumblr.com·
Squashed: Anonymity and the Creeper
Squashed: Creeps: Individual and Corporate
Squashed: Creeps: Individual and Corporate
Without detracting from current discussion, I want to emphasize the inadequacy of the “But It’s Legal” argument applies much more broadly. We can consider corporate immoral-but-maybe-legal actions through the Creepshots Lens. Environmental destruction, unsafe labor conditions, predatory lending, inhuman wage practices and discriminatory membership policies don’t become okay if they’re technically legal.
·squashed.tumblr.com·
Squashed: Creeps: Individual and Corporate
Nitsuh Abebe: So a feature I wrote for New York mag… (a grammar)
Nitsuh Abebe: So a feature I wrote for New York mag… (a grammar)
Sometimes music listeners talk as if artists are running the show: there’s a stage, and these musicians are standing on it, addressing us. And then sometimes musicians talk as if listeners are running the show: they make music for their own pleasure, and then a vast and fickle public decides whether anyone will be interested, and what chance the music will get to continue. I wonder sometimes if the internet has exploded the former impulse and maybe diminished our memory of the latter…
·agrammar.tumblr.com·
Nitsuh Abebe: So a feature I wrote for New York mag… (a grammar)
Mark Richardson: I’ve been ripping a bunch of old CDs…
Mark Richardson: I’ve been ripping a bunch of old CDs…
So then I looked to see about downloading it from Amazon, and they are selling downloads for $9.49. This is an album recorded 60 years ago. Most likely, everyone involved with it has been dead for a long time. Billie Holiday has been dead for 53 years. It was recorded live, cheaply. If the total cost of recording it was $200 I’d be amazed. And here we are 60 years later and I’m expected to pay $9.49 for digital files.
·markrichardson.org·
Mark Richardson: I’ve been ripping a bunch of old CDs…
Eric Harvey: Bob Dylan's Great White Wonder: The Story of the World's First Album Leak (Pitchfork)
Eric Harvey: Bob Dylan's Great White Wonder: The Story of the World's First Album Leak (Pitchfork)
On one basic level, what happened in 1969 with Wonder—and what happens every day with mp3 leaks—illuminates a very basic economic fact: Official markets will always lead to unsanctioned ones that feed off of the legit products—and often operate much more efficiently. Consumer desire has never automatically limited itself to strictly legal operations, particularly when fans can convince themselves (often rightly) that they’re doing no harm to the artists.
·pitchfork.com·
Eric Harvey: Bob Dylan's Great White Wonder: The Story of the World's First Album Leak (Pitchfork)
Doug Henwood: Why Obama lost the debate
Doug Henwood: Why Obama lost the debate
I don’t agree with this completely, but it’s a solid argument. More broadly, the political problem of the Democrats is that they’re a party of capital that has to pretend for electoral reasons sometimes that it’s not. All the complaints that liberals have about them—their weakness, tendency to compromise, the constantly lamented lack of a spine—emerge from this central contradiction. The Republicans have a coherent philosophy and use it to fire up a rabid base. The Dems are afraid of their base because it might cause them trouble with their funders. Romney believes in money. Obama believes in nothing. Most liberals want to write off Obama’s bad performance as a bad night. It’s not just that. It’s a structural problem.
·lbo-news.com·
Doug Henwood: Why Obama lost the debate
Steven Hyden: An interview with Animal Collective's Panda Bear, Noah Lennox, about 'Centipede Hz' (Grantland)
Steven Hyden: An interview with Animal Collective's Panda Bear, Noah Lennox, about 'Centipede Hz' (Grantland)
By the end of the interview, Lennox had gotten his point across: Animal Collective — honestly, truly, for real this time, OK? — doesn't think about its audience when it comes to making creative decisions. Making music for Lennox and his bandmates is an inherently self-indulgent exercise; the only sin is doing something you're not into. This strikes me as a healthy attitude. Public taste is fickle. And doing things their own way has clearly served Animal Collective well up to this point, both artistically and commercially.
·grantland.com·
Steven Hyden: An interview with Animal Collective's Panda Bear, Noah Lennox, about 'Centipede Hz' (Grantland)
Rebecca Solnit: The Problem With Men Explaining Things (Mother Jones)
Rebecca Solnit: The Problem With Men Explaining Things (Mother Jones)
Most of my life, I would have doubted myself and backed down. Having public standing as a writer of history helped me stand my ground, but few women get that boost, and billions of women must be out there on this 6-billion-person planet being told that they are not reliable witnesses to their own lives, that the truth is not their property, now or ever. This goes way beyond Men Explaining Things, but it's part of the same archipelago of arrogance.
·motherjones.com·
Rebecca Solnit: The Problem With Men Explaining Things (Mother Jones)
Lindsay Zoladz: How To Not Not-Write
Lindsay Zoladz: How To Not Not-Write
Get a notebook and write at least a word in it every day. I am starting to think that the best advice—the only advice, maybe—you can give comes out of your own haphazard, irregular, lucky, accidental experience.
·lindsayzoladz.tumblr.com·
Lindsay Zoladz: How To Not Not-Write
Evgeny Morozov: Kickstarter’s crowdfunding won’t save indie filmmaking. (Slate Magazine)
Evgeny Morozov: Kickstarter’s crowdfunding won’t save indie filmmaking. (Slate Magazine)
To assess a film's odds of success (because even crowdfunders don’t want to back a loser), a prospective funder would want to know what people in the know—who are part of the “industry” in one way or another—make of it. This is the point often missed by those hailing Kickstarter as a revolutionary project that could emancipate the artists: What defines potential “success” for their film is still very much defined by the industry heavyweights.
·slate.com·
Evgeny Morozov: Kickstarter’s crowdfunding won’t save indie filmmaking. (Slate Magazine)
David Carr: The Puppetry of Quotation Approval (NYTimes.com)
David Carr: The Puppetry of Quotation Approval (NYTimes.com)
Journalism in its purest form is a transaction. But inch by inch, story by story, deal by deal, we are giving away our right to ask a simple question and expect a simple answer, one that can’t be taken back. It may seem obvious, but it is still worth stating: The first draft of history should not be rewritten by the people who make it.
·nytimes.com·
David Carr: The Puppetry of Quotation Approval (NYTimes.com)
Andrew Ross Sorkin: Occupy Wall Street: A Frenzy That Fizzled (NYTimes.com)
Andrew Ross Sorkin: Occupy Wall Street: A Frenzy That Fizzled (NYTimes.com)
Has the debate over breaking up the banks that were too big to fail, save for a change of heart by the former chairman of Citigroup, Sanford I. Weill, really changed or picked up steam as a result of Occupy Wall Street? No. Have any new regulations for banks or businesses been enacted as a result of Occupy Wall Street? No. Has there been any new meaningful push to put Wall Street executives behind bars as a result of Occupy Wall Street? No. And even on the issues of economic inequality and upward mobility — perhaps Occupy Wall Street’s strongest themes — has the movement changed the debate over executive compensation or education reform? It is not even a close call.
·dealbook.nytimes.com·
Andrew Ross Sorkin: Occupy Wall Street: A Frenzy That Fizzled (NYTimes.com)
Ben Austen: The Story of Steve Jobs: An Inspiration or a Cautionary Tale? (Wired)
Ben Austen: The Story of Steve Jobs: An Inspiration or a Cautionary Tale? (Wired)
Jobs has become a Rorschach test, a screen onto which entrepreneurs and executives can project a justification of their own lives: choices they would have made anyway, difficult traits they already possess. “Everyone has their own private Steve Jobs,” Sutton says. “It usually tells you a lot about them—and little about Jobs.”
·wired.com·
Ben Austen: The Story of Steve Jobs: An Inspiration or a Cautionary Tale? (Wired)