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Vulture: Nitsuh: Watch the Throne: Uneasy Heads Wear Gaudy Crowns
Vulture: Nitsuh: Watch the Throne: Uneasy Heads Wear Gaudy Crowns
“It’s a portrait of two black men thinking through the idea of success in America; what happens when your view of yourself as a suppressed, striving underdog has to give way to the admission that you’ve succeeded about as much as it’s worth bothering with; and how much your victory can really relate to (or feel like it’s on behalf of) your onetime peers who haven’t got a shred of what you’ve won. It’s not a topic that deserves to be scrubbed up, either; there are things about Kanye’s tiresome self-involvement and moody debauchery — the way he sounds like some sullen hip-hop emperor, stalking around the crumbling gilded palace of his own psyche, muttering angrily and getting aggressive with the help — that belong in any such portrait.”
·nymag.com·
Vulture: Nitsuh: Watch the Throne: Uneasy Heads Wear Gaudy Crowns
Grantland: Hua Hsu on Kanye and Jay-Z's Watch the Throne
Grantland: Hua Hsu on Kanye and Jay-Z's Watch the Throne
“What makes hip-hop such a durable form is its capacity to scramble fiction and fact; the artifice and the realities that art conceals or amplifies become one. In this way, Watch the Throne feels astonishingly different. It captures two artists who no longer need dreams; art cannot possibly prophesy a better future for either of them.”
·grantland.com·
Grantland: Hua Hsu on Kanye and Jay-Z's Watch the Throne
Vulture: Nitsuh Abebe: Amy Winehouse’s Intelligent Soul
Vulture: Nitsuh Abebe: Amy Winehouse’s Intelligent Soul
“What’s worth remembering about Winehouse is not that she had some tortured inner light, or a tragic mien that made her a member of some insipid “27 Forever” club. It’s that she really could be wickedly good at using her brain and her expertise to create music that really worked. There were sad and dangerous things wrapped up in it — fatalism as a cop-out, the romance of failure and sorrow, masochism posing as bravery. But what you tend to take away is good humor, odd clarity, and flashes of actual bravery. At Winehouse’s best, she seemed more than good enough to convey those things without needing a life of tragedy to match.”
·nymag.com·
Vulture: Nitsuh Abebe: Amy Winehouse’s Intelligent Soul
a grammar: presumption
a grammar: presumption
Nitsuh Abebe on a particular review of David Foster Wallace’s ‘A Supposedly Fun Thing I’ll Never Do Again’ on Amazon. “No true human contact is possible without a certain amount of presumption, and these presumptions are precisely what self-consciousness, over time, whittles away at.”
·agrammar.tumblr.com·
a grammar: presumption
NYTimes.com: Paul Krugman: The Centrist Cop-Out
NYTimes.com: Paul Krugman: The Centrist Cop-Out
“The facts of the crisis over the debt ceiling aren’t complicated. Republicans have, in effect, taken America hostage, threatening to undermine the economy and disrupt the essential business of government unless they get policy concessions they would never have been able to enact through legislation. And Democrats — who would have been justified in rejecting this extortion altogether — have, in fact, gone a long way toward meeting those Republican demands.”
·nytimes.com·
NYTimes.com: Paul Krugman: The Centrist Cop-Out
Marathonpacks: A Defense of John Maus and Bratty Artists
Marathonpacks: A Defense of John Maus and Bratty Artists
“My argument: doesn’t someone have to act like this? Like film villains, isn’t it best when those people are over there entertaining us, letting us use them as a dartboard for our own anxieties and antipathies in exchange for our attention and money?”
·marathonpacks.tumblr.com·
Marathonpacks: A Defense of John Maus and Bratty Artists
timbre tantrums: Getting Lost: At Sea
timbre tantrums: Getting Lost: At Sea
‘At Sea (Honolulu, HI) @ thirtyninehotel, Honolulu, HI. 12th, July 2011.’ ‘Not merely a reunion, but a reinvention, as the band rearranges their instrumentation and song writing style, switching from long-form drone inspired post-rock epics to a more concise semi-pop-structure featuring former cellist (now guitarist/singer), Yvonne Harada on vocals.’
·timbretantrums.com·
timbre tantrums: Getting Lost: At Sea
Food Renegade: The Secret Ingredient in Your Orange Juice
Food Renegade: The Secret Ingredient in Your Orange Juice
All orange juice tastes the same because the juice from the oranges has its oxygen (and taste) removed for spoil-free storage and then ‘flavor packs’ are added to the flavorless juice. The flavor packs are loaded with supplementary chemicals but still technically qualify as ‘orange juice’, so there is no ingredient listing requirement for them. And: ‘Juice removed from the fruit is just concentrated fructose without any of the naturally-occurring fiber, pectin, and other goodies that make eating a whole fruit good for you.’ So don’t drink juice.
·foodrenegade.com·
Food Renegade: The Secret Ingredient in Your Orange Juice
WIRED Magazine: Chain World Videogame Was Supposed to be a Religion—Not a Holy War
WIRED Magazine: Chain World Videogame Was Supposed to be a Religion—Not a Holy War
The story of Jason Rohrer’s ‘Chain World’, a customized fork of Minecraft of which there is only a single copy available on a USB stick and which is meant to be played only once, following a strict set of commandments, and then passed on to someone else. It’s meant to be a game about religion.
·wired.com·
WIRED Magazine: Chain World Videogame Was Supposed to be a Religion—Not a Holy War
NYTimes.com: How the Deficit Got This Big
NYTimes.com: How the Deficit Got This Big
With a chart that shows what actually happened. “In future decades, when rising health costs with an aging population hit the budget in full force, deficits are projected to be far deeper than they are now. Effective health care reform, and a willingness to pay more taxes, will be the biggest factors in controlling those deficits.”
·nytimes.com·
NYTimes.com: How the Deficit Got This Big
innovate: The HoPE Manifesto: How I Taught Myself to Code
innovate: The HoPE Manifesto: How I Taught Myself to Code
Basically, he advocates shutting yourself off from the world as much as possible for an initial boot camp-style stretch for as long as you can manage in order to really commit yourself to wrapping your head around the concepts of programming (Rails, in this case). I want to do this, but finding time away from other commitments isn’t something I’m especially suited to do at the moment.
·innonate.com·
innovate: The HoPE Manifesto: How I Taught Myself to Code
Repulsive Interactions: Patton Oswalt writes about the demise of nerd culture in Wired...
Repulsive Interactions: Patton Oswalt writes about the demise of nerd culture in Wired...
“Nerds will still be nerds, and trust me, their adolescences will still be awful enough to provide fodder for a lifetime of creativity and humor, if they’re lucky. The thing that everyone seems to forget is that nerddom, in its purest form, is a teenage affliction, something that many, if not most, people grow out of. They figure out how to be passionate about their interests without being smug and humorless about them. They learn to laugh at their past humiliations, and to celebrate this newfound comfort in their own skins, they proudly take on the epithet so long slung in their direction: they call themselves nerds. And that’s it. If done in the true spirit of awareness and goodnatured self-deprecation, the day you call yourself a nerd is the day you become an ex-nerd.”
·repulsiveinteractions.tumblr.com·
Repulsive Interactions: Patton Oswalt writes about the demise of nerd culture in Wired...
Clay Shirky: Why We Need the New News Environment to be Chaotic
Clay Shirky: Why We Need the New News Environment to be Chaotic
“The thing I really want to impress on my students is that the commercial case for news only matters if the profits are used to subsidize reporting the public can see, and that civic virtue may be heart-warming, but it won’t keep the lights on, if the lights cost more than cash on hand. Both sides of the equation have to be solved.”
·shirky.com·
Clay Shirky: Why We Need the New News Environment to be Chaotic
The Daily: Label maker
The Daily: Label maker
“Still, for the Cool Kids, it comes down to one thing: Mountain Dew provides them with a fair opportunity to usher their music into the world. ‘Any other label, any other situation … you do all the work and they take all the money. I can’t sleep comfortably with that,’ explains Rocks. ‘I would take Mountain Dew any day of the week over that. Money comes and goes, you spend it stupid and it’s gone. But what we are doing, what we’ve made — no one can take that away from us.’”
·thedaily.com·
The Daily: Label maker
NYMag: We Must Be Superstars by Nitsuh Abebe
NYMag: We Must Be Superstars by Nitsuh Abebe
“And if you want to talk about pop music between 1980 and now, that issue—the question of who’s singing and who’s being sung to—is an important one. The study assumes that hit singles in the eighties and hit singles in the new millennium play the same role in our culture. But over the past 30 years, the weekly charts have seen changes a lot more significant than any surge of ego. It’s not just that pop’s audience has changed; it’s that its whole purpose has.”
·nymag.com·
NYMag: We Must Be Superstars by Nitsuh Abebe
Pitchfork: Articles: Kill Screen: Quidditch and How to Play
Pitchfork: Articles: Kill Screen: Quidditch and How to Play
“One challenge of adapting Quidditch to real life lies in transforming a literary invention into a balanced contest where skill and strategy matter. The greater challenge involves getting around the lack of, you know, magic. You can't fly. Neither can the bludgers, or the snitch. You can pretend to fly, though. And you can throw the bludgers. But the snitch is a problem.”
·pitchfork.com·
Pitchfork: Articles: Kill Screen: Quidditch and How to Play