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“The whole joy of hearing Minaj swoop through a bunch of different registers, for me, in this verse, is that all of them are the same person making the same point. They’re not in dialogue with one another!”

MC Chris tells the story of his show at The Gathering of the Juggaloes and the G.I. Joe film screening that followed.

On Cablegate, especially how the Pentagon Papers and our basic societal comprises play. “Whatever happens, though, this is new ground, and needs to be hashed out as an exemplar of the clash of basic principles that it is.”

“The predictive power of an anxiety-prone temperament, such as it is, essentially works in just one direction: not by predicting what these children will become but by predicting what they will not. In the longitudinal studies of anxiety, all you can say with confidence is that the high-reactive infants will not grow up to be exuberant, outgoing, bubbly or bold. Still, while a Sylvia Plath almost certainly won’t grow up to be a Bill Clinton, she can either grow up to be anxious and suicidal, or simply a poet. Temperament is important, but life intervenes.”

“The piece is by Mathias Delplanque. Titled ‘Call Center,’ it’s recent a stereo reduction of a sound installation of his from several years back. It was part of an exhibition titled ‘Bombay Maximum City.’ The sounds, he reports, were ‘recorded during the summer of 2006 in a call center in Gurgaon (suburbs of New Delhi).’ The result is a half hour of sound that flirts with narrative, but also manages to transform the everyday into something sonically complex. That the source of the audio is itself such a quintessential emblem of technology, of globalism, of communication services, and of interpersonal mis-communication only adds to its impact.”

“Bianca Jagger last week launched a fierce attack on the Guardian for carrying my story about the evidence collected by Swedish police who have been investigating the claims of sexual assault by the founder of WikiLeaks, Julian Assange. At the heart of her attack is a repeated claim that we failed to publish exculpatory evidence contained in the police file. Those who have read her piece will have noticed that she does not cite one single example of this missing information. There are two reasons for this. First, she does not know what is in that police file, because she has not read it. Second, if she had, she would know that her claim is simply not true.”

“…the human world is indisputably in better shape overall in 2010 than it was in 2000.”

“Both albums are like brainwashing, insular symphonies to a painfully reactive public awareness. The music doesn’t drive outward but, instead, falls inward, bouncing along the various fractured feelings of its singer and his mates. While ‘The National Anthem’ may suggest that ‘everyone is so near/everyone has got the fear’, the reality is that Yorke feels like a misidentified Pied Piper, the ‘rats and kids follow me out of town’ tenets of the Kid A title track pleading his case to be set free. This could be the main reason why the reaction to its release was so incredibly strong. Newness and novelty can help, but there is more to it than a differing direction. Kid A sounds like the start of a surreal psychological dissertation. Amnesiac occasionally comes across as whining.”

Yeah, this is that nagging thing about MBDTF. “On Monday Mr. West, who is 33, will release his fifth album, ‘My Beautiful Dark Twisted Fantasy’, and it’s terrific — of course it’s terrific — a startlingly maximalist take on East Coast rap traditionalism. And yet that doesn’t matter nearly as much as it should, at least partly because of Mr. West’s insistence on his own greatness. By not allowing for responses to his work other than awe, the value of the work itself is diminished; it becomes an object of admiration, not of study. Instead the focus is on the whole of Mr. West’s persona and character, which is more fractured, and subject to a far wider range of responses. The result is that Mr. West becomes a polarizing public figure who happens to be the most artful pop musician of the day, not the other way around.”

Thoughts on the tendency of the internet to empower and break down niches. “You can be a niche, but you’re a public niche, so you can’t expect to be left alone about it, or understood on your own terms. The internet makes niches possible, but it’s also a massive space in which loads of different people communicate — and spaces like that tend to pull everyone toward the middle, developing conventions and enforcing a cultural center. So far, this hasn’t stopped plenty of corners of the internet from getting extremely insular and specialized, but it’s still a form of cultural policing on this front.”

A nice abstract followed by and a very nice collection of tracks centered around the recently accelerating trend of breaking down, re-assembling, reinterpreting, and re-imagining the possibility of vocals in music. Every track mentioned here is a gem. I was trying to think of who they missed here. DJ Nate, DJ Roc, and the rest of the Chicago juke scene come to mind, but that is not ‘atmospheric’ music like most of this list. Avey Tare. Aphex Twin.

“This browser extension stops Facebook social plugins—including those within iFrames—from running on sites other than Facebook itself. This includes ‘Like’ buttons, ‘Recommended’ lists, and should also stop any Facebook scripts from tracking your browsing history.” Sites using Facebook’s ‘social plugins’ have been chewing up memory in my Safari (stemming from, I think, based on looking at the ‘Activity’ window, a blocked request returning an error and being requested over and over again). I’m still not sure what the issue was (AdBlock or Facebook Cleaner extension conflict, probably?), but with this extension the plugins don’t have a chance to load in the first place, which is fine because I never use them and I think they’re worthless and annoying.

Dustin Glick with a visual explanation: a hipster is just someone who dresses more obnoxiously than you.

“There are uncountable numbers of groups on Facebook called ‘lost my phone!!!!! need ur numbers!!!!!’ or something like that. Most of them are marked as ‘public’, or ‘visible to everyone’. A lot of folks don‘t understand what that means in Facebook’s context — to Facebook, ‘everyone’ means everyone in the world, whether they’re a Facebook member or not. That includes automated programs like Evil, as well as search engines.”

Another ‘response album’ from Marc Weidenaum's blog minions, this a collection of recordings that use a human sigh as their source material. The response is to the grumpy, narrow-minded art critic Richard Dorment, who questioned the integrity and quality of artist Susan Philipsz’ Turner Prize-winning ‘Lowlands‘, as well as a number of other artistic endeavors that he considers unworthy of anything more than a ‘long low collective sigh’.

A really excellent Flash game.

I may never get around to listening to this, but the idea is fantastic. "An article in the May 2010 issue of the magazine The Atlantic critiqued the current generation of young music fans for rampant copyright violation. In a small irony, the illustration used to decorate the article interpolated a detail of a preexisting work that appears to not yet be in the public domain. This notice isn’t intended as a criticism of the illustrator — quite the contrary; the illustration is excellent — but instead of the theoretical foundation of the article, which suggests a clear line between right and wrong where there is, in fact, significant ambiguity. I forwarded Traum’s image, and article it accompanied, to various musicians and asked them if they would record a piece of music that took Traum’s picture literally: use it as a score.”

“Still, why does it matter what some politicians and think tanks say? The answer is that there’s a well-developed right-wing media infrastructure in place to catapult the propaganda, as former President George W. Bush put it, to rapidly disseminate bogus analysis to a wide audience where it becomes part of what ‘everyone knows.’ (There’s nothing comparable on the left, which has fallen far behind in the humbug race.)”

A ton of scientific studies are flat-out wrong. And most of it doesn't really matter anyway. "‘Science is a noble endeavor, but it’s also a low-yield endeavor,’ he says. ‘I’m not sure that more than a very small percentage of medical research is ever likely to lead to major improvements in clinical outcomes and quality of life. We should be very comfortable with that fact.’"

"It is they, fronted by President Obama, who are behind the charter school movement. Their goal is to make franchises of our schools, docile, low-cost industrial robots of our teachers, and McStudents of our children. This, despite the fact that the best academic studies of charter schools have shown that they perform no better than public schools and in many cases perform worse. Sometimes much worse."

A good interview, and explains Obama's long-game strategy explicitly. His indignation at progressives and Democrats complaining about the state of things when much has actually been accomplished is reasonable, but his final statement bothers me. "We have to get folks off the sidelines. People need to shake off this lethargy, people need to buck up. Bringing about change is hard — that's what I said during the campaign. It has been hard, and we've got some lumps to show for it. But if people now want to take their ball and go home, that tells me folks weren't serious in the first place." OK, but what does that mean? What's going to make a difference with ten-to-one odds and enormous corporations and special-interest groups lined up on the other side? Your base gave you a lot of money to help you get elected, but is that what you're asking them to do again, deep in a recession? They need direction, advice, some instruction or insight. What exactly do you want us to 'try harder' at?

A strong perspective on music culture, the music business, and the state of things today. "Had Sonic Youth not done what they did I don't know what would have happened—the alternative history game is kind of silly. But I think it cheapened music quite a bit. It made music culture kind of empty and ugly and was generally a kind of bad influence."

In Afghanistan there is a history of parents dressing their daughters up as boys (until they reach their teens) in order to avoid embarrassment and scrutiny of a culture that values sons and treats women like shit. Fascinating, unfortunate, and like one of the article's interviewees says, just a small part of a huge web of human rights issues plaguing the nation.

Finally got around to reading this. I still can't reconcile the problem, but this is a very thorough analysis. My hunch is that it isn't exactly an undiscovered life stage or nothing but spoiled kids, but rather a confluence of factors stemming from stuff like 'extended adolescence' (and the provision thereof by parents, college atmospheres, and the entertainment industry), the recession, the internet, and an increasingly ineffectual educational system.

A good overview and some best-of lists for dubstep and its offshoots in 2010 that I can mine later.

The history of AA and some insight on why some of its most important characteristics — no central organization, a focus on group therapy, the replacement of meetings as an obsession — are why it works so well for so many.

"So you want to keep your lover or your employee close. Bound to you, even. You have a few options. You could be the best lover they've ever had, kind, charming, thoughtful, competent, witty, and a tiger in bed. You could be the best workplace they've ever had, with challenging work, rewards for talent, initiative, and professional development, an excellent work/life balance, and good pay. But both of those options demand a lot from you. Besides, your lover (or employee) will stay only as long as she wants to under those systems, and you want to keep her even when she doesn't want to stay. How do you pin her to your side, irrevocably, permanently, and perfectly legally?"

"I’m extremely, extremely disappointed by Naomi Wolf’s dismissive piece about Interpol’s arrest of Julian Assange for alleged sexual offenses." A thorough dismissal of Assange fanboys dismissing his rape charges.

"As the TSA feels you up and dresses you down, terrorists are tearing a hole in a new target: The U.S. economy."

"Meanwhile, in Oregon, the mosque sometimes attended by Mohamud was victimized today by arson. So the FBI did not stop any actual Terrorist plots, but they may have helped inspire one."