I long had a standard choice for a musical time machine (with a train ticket): 1928 or so, so that I could hear Louis Armstrong in Chicago or Duke Ellington in New York. At some point I added 1964 (with plane fare), to hear the Charles Mingus Sextet somewhere in Europe.
I cringed last night hearing an NPR tribute characterize Mingus — straight off — as “the angry man of jazz.” I find it difficult to imagine NPR referring to anyone as the angry man of chamber music, dance, film, painting, &c. Sigh.
The theme for the 1960s cartoon series Spider-Man, by Bob Harris and Paul Francis Webster, sounds heavily indebted to Charles Mingus’s “Boogie Stop Shuffle.” Really.
Both performances, all players, were and are lit, on fire and burning bright, in four hours of music that make most (so-called) jazz sound pedestrian and predictable by comparison.
Chrissie Hynde offers an interpretation of Charles Mingus’s “Meditation on a Pair of Wire Cutters” (aka “Meditations on Integration” and “Meditations”).
The music herein is excellent, a mix of favorites (“Pithecanthropus Erectus,” “Peggy’s Blue Skylight,” “Celia,” “Orange Was the Color of Her Dress, Then Blue Silk”), some Ellingtonia (“C Jam Blues”), and three rarities (“The Man Who Never Sleeps,” “Noddin’ Ya Head Blues,” and the otherwise unrecorded “Dizzy Profile,” a delicate waltz written for Dizzy Gillespie).
"Racism planted that bomb, but racism ain't strong enough to kill this music. If I'm going to die, I'm ready. But I'm going out playing 'Sophisticated Lady.'"