“Certain parts take place in the country, some in one kind of society, others in another kind; some have to do with family life and much of it is terribly indecent.”
Lucy Boynton reports that Proust Barbie was cut from Barbie because audiences didn’t get the joke: “it turns out that contemporary audiences don’t know who Proust is” (Rolling Stone).
The opening sentence of Jean Stafford’s Boston Adventure announces the key signatures, so to speak, of the novel: D and P. The novel is Dickensian, beginning as the story of a girlhood spent in poverty, and Proustian, beginning with sleep.
In the company of all those society folk, at those endless luncheons and soirées, like, say, the one in The Guermantes Way that runs for 132 pages, weren’t you ever bored, Marcel?