“As the title metaphor suggests, Crossroads is indeed a ‘a history of connections’ — delightful, improbable, and rewarding, as rock musicians drew deep inspiration from blues, and blues musicians gained new (young, white) audiences for their work.”
“To listen to these recordings is to hear Hurt in two worlds at once: the one a world of private jokes and laughter and the occasional rooster, the other a world in which he was hardly at ease but, it seems, game.”
“Carelessness runs through this biography of Son House; this footnote is just an especially glaring example. Ought a reader to expect more from a university press? From Oxford University Press? I would think so.”
"The impossibility of reverse-engineering the circumstances of recording puts me in mind of the title of David Shapiro’s poem 'After a Lost Original': we have no reference point for knowing what Johnson sounded like when recording other than his recordings."