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Samuel Charters (1929–2015)
Samuel Charters (1929–2015)
He may have done more than anyone else to popularize the inchoate but deeply appealing idea of “the country blues.”
·mleddy.blogspot.com·
Samuel Charters (1929–2015)
Book review: John Milward, Crossroads
Book review: John Milward, Crossroads
“As the title metaphor suggests, Crossroads is indeed a ‘a history of connections’ — delightful, improbable, and rewarding, as rock musicians drew deep inspiration from blues, and blues musicians gained new (young, white) audiences for their work.”
·mleddy.blogspot.com·
Book review: John Milward, Crossroads
Mississippi John Hurt, Discovery
Mississippi John Hurt, Discovery
“To listen to these recordings is to hear Hurt in two worlds at once: the one a world of private jokes and laughter and the occasional rooster, the other a world in which he was hardly at ease but, it seems, game.”
·mleddy.blogspot.com·
Mississippi John Hurt, Discovery
An afterthought
An afterthought
If I were Boing Boing, the title of the previous post might’ve read like so: Hardee’s commercial likens young women, virgins to breakfast meat.
·mleddy.blogspot.com·
An afterthought
The Oxford typo
The Oxford typo
“Carelessness runs through this biography of Son House; this footnote is just an especially glaring example. Ought a reader to expect more from a university press? From Oxford University Press? I would think so.”
·mleddy.blogspot.com·
The Oxford typo
Listening to Robert Johnson
Listening to Robert Johnson
"The impossibility of reverse-engineering the circumstances of recording puts me in mind of the title of David Shapiro’s poem 'After a Lost Original': we have no reference point for knowing what Johnson sounded like when recording other than his recordings."
·mleddy.blogspot.com·
Listening to Robert Johnson