Pocket notebook sighting
An anonymous detective and his notebook, as seen in Pushover (dir. Richard Quine, 1954).
EXchange names on screen
From The Blue Dahlia (dir. George Marshall, 1946).
An EXchange name on screen
From East Side, West Side (dir. Mervyn LeRoy, 1949).
Force of Evil
Telephones, pencils, and notebooks, oh my.
Telephone exchange names on screen
From Dick Tracy’s Dilemma.
Telephone EXchange names on screen
From Tension: DAwson and FAirfield.
Telephone exchange names on screen: GLadstone
From Anthony Mann’s Railroaded! (1947).
Telephone exchange names on screen: SLOane
From My Week with Marilyn.
Telephone exchange names on screen
What makes Blast of Silence (dir. Allen Baron, 1961) compelling is atmosphere, external and internal: a bleak vision of New York and the bleaker vision of human character that unfolds in Lionel Stander’s voiceover.
EXchange names on screen
OXford 6262, from My Favorite Wife (1940).
Telephone exchange names on screen
In Sweet Smell of Success.
Telephone exchange names on screen
In This Gun for Hire (dir. Frank Tuttle, 1942).
Telephone exchange names on screen
From Murder, My Sweet
Telephone exchange names on screen: Side Street
A great, relatively unknown film
Telephone exchange names on screen
From The Little Giant (1933)
Telephone exchange names on screen
CHelsea, from The Dark Corner (1946)
ELbo 875
A telephone exchange name on screen
Telephone exchange names on screen
From The public Enemy (1931)
PLaza, PLaza, PLaza
The PLatonic telephone exchange name: stills from The Amazing Doctor Clitterhouse (1938)
A pocket diary and an exchange name
A little notebook and a telephone EXchange name in Deception (1946)
Telephone exchange names on screen (no. 4)
"ATwater 0-2390, please." A scene from The Man Who Cheated Himself (1951)
Telephone exchange names on screen (no. 2)
A still from Baby Face (1933)