“This is a political choice that we make — to allow this to happen every few months in America. We collectively are answerable to those families who lose their loved ones because of our inaction.”
The Lands’ End catalogue may never have been a great document of the variousness of Americans, but its recent incarnations appear to have taken a sharp turn for the white.
Why one should watch the fifty-two-minute dashcam video
Consider: he has stopped a driver for speeding, a driver who turns out to have no proof of insurance. And yet Encinia is a model of tact. He’s even chatty. He lets the driver off with a warning. He repeats, no fine, no penalty — for speeding and no proof of insurance. Why Encinia takes such a different approach in his encounter with Sandra Bland has to remain a matter for speculation.
The next-to-last paragraph of the majority opinion in Obergefell v. Hodges might prompt any number of already-married people to take their marriages a little more seriously.
Is live television coverage in Baltimore meant to help bring about the violence that we now see on CNN? Is it too cynical to acknowledge that broadcasting such stuff serves broadcasters’ interests? And is it too cynical to suspect that broadcasting such stuff serves to strengthen a larger narrative about color and criminality?
“Public radio ought not to serve as an organ of publicity for junk-pop-culture. NPR’s willingness to do so makes me less and less interested in kicking in to support NPR.”
“There may be no exact parallel between what happens in Ellison’s novel and what happened in Ferguson, Missouri. But across sixty-two years, the general resemblance is clear and appalling.”
“What Riemen seeks is a culture that reverences and preserves all that is good in the human endeavor, that promulgates the dignity of the individual, that eschews the merely entertaining and expedient, that renounces any dream of human perfectibility.”
A 1925 ad promising sanctuary and speed, relaxed browsing and instant gratification. Reminiscent of what goes in his Steven Millhauser’s novel Martin Dressler.
Sixty-five years later, there is a memorial for those who died in the 1948 plane crash that inspired Woody Guthrie’s “Deportee (Plane Wreck at Los Gatos)” and whose names are now, all, known.