Again and again I found myself at odds with her perspective. Part of what put me off, wrongly or rightly, is the book's relentless cheeriness: the “kinder, funner ” of the title, the too-frequent use of exclamation points. A larger problem is Curzan’s division of the individual psyche into “grammando” and “wordie,” both a matter not of a speaker/writer but of a listener/reader responding to other people’s words.
I’m always slightly amazed at the way women in older movies appear to time-travel when their hair is wet. They lose their 1930s- or ’40s-ness and suddenly show up in the world of tomorrow. As is the case here
In Kingdom of the Planet of the Apes, a Kurt Vonnegut book is visible on a table in what appears to be the residence of a human serving the apes. The cover isn’t readable, but it’s easy to guess what that book must be.
From Larceny (dir. George Sherman, 1948). The page fills the screen; otherwise, you might not believe that someone is really looking at a telephone directory.
In the second episode of the Shrinking Trump podcast, someone suggests that this passage from a May 15 interview with Hugh Hewitt should be shared widely as evidence that Donald Trump cannot formulate ideas cognitively.
I asked those who would know if there’s a name for a television episode with two characters stuck in, say, an elevator or a basement, talking about whatever until they get free. There is, and Merriam-Webster has it.
“My stories have gotten around quite remarkably for short stories,” she told the interviewer. “I would really hope that this would make people see the short story as an important art, not something you play around with until you got a novel written.”
“Bad faith is when you don’t like the truth so you lie about it. Then you lie about having lied about it. You might even convince yourself that in lying about lying you’re not lying. That’s bad faith. It’s a twisted consciousness. We’re seeing a mass movement for a twisted consciousness.”