I realized only this morning that Orange Crate Art turned eighteen last month. Now I understand why OCA has been poring over a sample ballot in advance of November’s elections.
The New York Times reports on Maitland Jones, a professor of organic chemistry at New York University, who was fired after a quarter of his students signed a petition claiming that the class he taught was too difficult.
For a while I never noticed the new reading-time estimates that accompany Times headlines. Now I can’t help noticing them, and I’m aghast. Seeing an estimate attached to a review of two books about attention and technology makes my ironymeter go haywire.
I long had a standard choice for a musical time machine (with a train ticket): 1928 or so, so that I could hear Louis Armstrong in Chicago or Duke Ellington in New York. At some point I added 1964 (with plane fare), to hear the Charles Mingus Sextet somewhere in Europe.
Three excerpts from “The Homeless, Tempest-Tossed,” the final episode of The U.S. and the Holocaust, rom Eleanor Roosevelt and the historians Nell Irvin Painter and Timothy Snyder.
It came as a jolt, even if it shouldn’t have, to see our friend Eva Mozes Kor for a split-second in the final episode of Ken Burns’s The U.S. and the Holocaust.