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Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases — Brian Merchant (@bcmerchant)
·twitter.com·
Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
·twitter.com·
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
Josh Harding on X: "Favorite aspect of Dune 2 is how aggressively “anti-blockbuster” it is. Every aspect of the standard Chosen One narrative here is filled with portent and dread. The movie doesn’t want Paul to become the One. Once he does, even the “epic final battle” intentionally feels wrong." / X
Josh Harding on X: "Favorite aspect of Dune 2 is how aggressively “anti-blockbuster” it is. Every aspect of the standard Chosen One narrative here is filled with portent and dread. The movie doesn’t want Paul to become the One. Once he does, even the “epic final battle” intentionally feels wrong." / X
·twitter.com·
Josh Harding on X: "Favorite aspect of Dune 2 is how aggressively “anti-blockbuster” it is. Every aspect of the standard Chosen One narrative here is filled with portent and dread. The movie doesn’t want Paul to become the One. Once he does, even the “epic final battle” intentionally feels wrong." / X
nina on Twitter / X
nina on Twitter / X
#DunePart2 Chani Book ChaniZendaya was magnificent. But, I wish Denis had included the storyline of baby Leto, adding more emotional depth. It would have been even more devastating if Chani had become pregnant with their first child only to lose him in the Sardaukar attack. pic.twitter.com/ITbFXdczjs— nina (@21Nina_) March 1, 2024
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nina on Twitter / X
Tony Tost on X
Tony Tost on X
KILLERS OF THE FLOWER MOON (2023). I feel like late stage Scorsese -- perhaps from WOLF OF WALL STREET onward -- is carving out this new genre: the true-ish fever dream lyrical essay about America. Pictures that feel like full literate novels, all grace notes & soul sickness.
·twitter.com·
Tony Tost on X