The sniffy reviews of Wes Anderson's films—even raves are often filled with despites, nonethelesses, and this-one-is-differents—reminds me of the numbing hegemony of dramatic realism and character psychology, from which Godard, too, endured brickbats and yes-buts all career long.— Richard Brody (@tnyfrontrow) June 25, 2023

I do not understand how Hollywood apparently learned nothing (nothing!) from the huge vast insane popularity of Knives Out, a solid film that would have just been a normal film twenty years ago https://t.co/NFc6ciJvOo— Amber Sparks (@ambernoelle) June 19, 2023

So many of Hollywood’s problems would be solved by simply making new and interesting $20-$40M thrillers for adults— Russell (@RussellFalcon) June 18, 2023

“nothing about michael keaton in the flash recalls the character or the world of the burton movies except for the casting. it’s like a reverse kuleshov effect: the audience has a reaction, so the movie must have made a choice. surreal, empty filmmaking”

“Michael Shannon on playing Zod in #TheFlash “I’m not gonna lie, it wasn’t quite satisfying for me, as an actor. These multiverse movies are like somebody playing with action figures. It’s like, “Here’s this person. Here’s that person. And they’re fighting!” It’s not quite the…”

What happened with Dark Universe is so fascinating to me because we've never seen anything like it. This wasn't even the first attempt. Far from! Universal kept making monster reboots that were meant to start something. None of them ever did. Let's go over the history (thread) https://t.co/sW5Z1Z42t6— Nat Brehmer (@NatBrehmer) May 22, 2023