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I was trying to figure out why Los Angeles feels so different. It's not just that a lot of rich people moved out, it's that the middle class don't live there anymore. All these neighborhoods are now super expensive so it sucked families out, and with them the teenagers that…
I was trying to figure out why Los Angeles feels so different. It's not just that a lot of rich people moved out, it's that the middle class don't live there anymore. All these neighborhoods are now super expensive so it sucked families out, and with them the teenagers that…
— Joseph Kahn (@JosephKahn)
#trends#culture#generations/genz#hollywood#public-life#cost-of-living#business#real-estate#demographics
·x.com·
I was trying to figure out why Los Angeles feels so different. It's not just that a lot of rich people moved out, it's that the middle class don't live there anymore. All these neighborhoods are now super expensive so it sucked families out, and with them the teenagers that…
Josh Harding on X: "Favorite aspect of Dune 2 is how aggressively “anti-blockbuster” it is. Every aspect of the standard Chosen One narrative here is filled with portent and dread. The movie doesn’t want Paul to become the One. Once he does, even the “epic final battle” intentionally feels wrong." / X
Josh Harding on X: "Favorite aspect of Dune 2 is how aggressively “anti-blockbuster” it is. Every aspect of the standard Chosen One narrative here is filled with portent and dread. The movie doesn’t want Paul to become the One. Once he does, even the “epic final battle” intentionally feels wrong." / X
#threads#see-replies#adaptations/books#dune#hollywood#narratives#films
·twitter.com·
Josh Harding on X: "Favorite aspect of Dune 2 is how aggressively “anti-blockbuster” it is. Every aspect of the standard Chosen One narrative here is filled with portent and dread. The movie doesn’t want Paul to become the One. Once he does, even the “epic final battle” intentionally feels wrong." / X