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Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases — Brian Merchant (@bcmerchant)
#opinion#discourse#review#twitter#ai#news#see-replies#sci-fi#films
·twitter.com·
Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
#opinion#identities/lgbtq#coming-of-age#review#threads#see-replies#films
·twitter.com·
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
Sherry on Twitter / X
Sherry on Twitter / X
I think what makes Ari Aster horror so brilliant is that it uses traditional horror motifs like demons and cults to do the opposite of what traditional horror does. Instead of making the story scarier, it gives the story some kind of psychological relief by saying “dw it’s just… https://t.co/kUDswSVew0— Sherry (@SchrodingrsBrat) November 9, 2023
#review#films
·x.com·
Sherry on Twitter / X
Tony Tost on X
Tony Tost on X
KILLERS OF THE FLOWER MOON (2023). I feel like late stage Scorsese -- perhaps from WOLF OF WALL STREET onward -- is carving out this new genre: the true-ish fever dream lyrical essay about America. Pictures that feel like full literate novels, all grace notes & soul sickness.
#threads#review#see-replies#films
·twitter.com·
Tony Tost on X
Rosehill on Twitter
Rosehill on Twitter
Killers of the flower moon review:1. beautiful movie.2. not an indigenous movie at all, rather a early 1900ʻs period piece where the osage people are the setting. both a positive and negative.3. To me a powerful exercise in humanizing even the most detestable of villains.— Rosehill (@Kailikapu) October 23, 2023
#review#thread#films
·twitter.com·
Rosehill on Twitter
Tony Tost on Twitter
Tony Tost on Twitter
POPEYE (1980). Robert Altman's infamous career-ruining bomb that was also the 11th highest grossing film of 1980, outpacing RAGING BULL, CADDYSHACK, AMERICAN GIGOLO, THE SHINING, & the first FRIDAY THE 13TH. A few of thoughts. First off: the picture absolutely rules. pic.twitter.com/I9a59yf2CN— Tony Tost (@tonytost) June 24, 2023
#review#adaptations/comics#threads#films
·twitter.com·
Tony Tost on Twitter