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Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases — Brian Merchant (@bcmerchant)
·twitter.com·
Brian Merchant on X: "Pleased to have done my part to usher in the "Is Her Really a Dystopia?" discourse — really interesting thoughts and conversations, feels like a slice of Old Twitter. Gonna rewatch the film fresh and return with some thoughts that in no way confirm my previously stated biases" / X
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
·twitter.com·
seosamh 🇵🇸 on X: "my hot take is that this isn't a sad ending. the film makes it clear oliver was bad for elio by revealing that oliver is closeted and getting married. the tragedy is not that they 'broke up', it is the necessary pain of first heartbreak and thus self discovery" / X
Inney Prakash on X
Inney Prakash on X
Killers of the Flower Moon is a great film; it affirms more explicitly than ever that Scorsese has always been telling the story of America, the most vile gangster nation on Earth— and that he understands who still controls the narrative.
·twitter.com·
Inney Prakash on X
Tony Tost on X
Tony Tost on X
KILLERS OF THE FLOWER MOON (2023). I feel like late stage Scorsese -- perhaps from WOLF OF WALL STREET onward -- is carving out this new genre: the true-ish fever dream lyrical essay about America. Pictures that feel like full literate novels, all grace notes & soul sickness.
·twitter.com·
Tony Tost on X